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Тексты песен End zone

End zone - From The Distance
2 месяца назад 246,00 (не задано)
End zone - Last Hope Of Suffered Soul
15 дня назад 247,00 (не задано)
End zone - Questions With No Answer
21 дня назад 251,00 (не задано)
End zone - Rock`n`roll
21 дня назад 254,00 (не задано)
End zone - S.o.d.
21 дня назад 281,00 (не задано)
End zone - The Remedy
21 дня назад 243,00 (не задано)
End zone - The Vortex Of Reality
21 дня назад 230,00 (не задано)
End zone - Ulterior Solitude
21 дня назад 240,00 (не задано)

Информация о артисте

Одна из самых популярных и авторитетных групп, играющих тяжелый металл в России. Уже первый альбом "First Bequest" 1995 г., записанный в составе: Игорь Лобанов (вокал, гитара), Олег Мишин (гитара, флейта), Роман Сенькин (бас) и Валерий Дедов (ударные), и сыгранный в стиле техно-мелодик-дет-треш-метал, заставил обратить на себя внимание как любителей тяжелой музыки, так и профессиональных музыкантов, узревших в команде серьезных конкурентов. Альбом получил много положительных откликов со стороны музыкальной прессы, а его лучшие треки вошли в различные рок-сборники. Успех "First Bequest" укрепило и достойное выступление "End Zone" в 1996 г. на польском фестивале "Shack attack — 7" в одной обойме с такими маститыми командами как "Vader" и "Cemetry of Screem".

Второй по счету инструментально-монументальный опус группы под названием "Thalatta Et Thanatos", включивший в себя также кавер-версии произведений Генделя, Чайковского и Грига и записанный вместе с новыми участниками коллектива: ударником Олегом Миловановым (экс-"Paranoia", экс-"Hellraiser" и "Мастер", и клавишником Александром Дроновым ("Валькирия", "Земляне, "Мастер"), — еще более упрочил позиции "End Zone" на отечественной рок-сцене и закрепил за ними реноме серьезного и профессионального коллектива, которому не чужды разного рода музыкальные эксперименты. Далее пошли успешные концерты по известным московским клубам, гастроли по российским городам и, наконец, выступления на одних площадках с такими мега-звездами как "Paradise Lost" и "Udo". Летом 1998 г. выходит третий альбом группы "Eclectica", выполненный в стиле так называемого симфонического хеви-металла. где "эндзо-новцы" продолжили свои эксперименты с классикой. В него так же вошли: "нетленка" Мусоргского "Хованщина" и кавер-версии "Sepultura" "Refuse/Resist". Примерно в это же время в группе происходят кадровые перестановки: появляется новый барабанщик Андрей Ищенко (экс-''Symbol") и басист Василий Дронов ("Монгол Шуудан"), вместе с которыми группа дала ряд концертов, в том числе выступив в Москве перед американскими богами треш-метала "Slayer". В 2000 году группа записывает новый материал и ищет достойные кандидатуры на освободившееся место бас-гитариста, а так же вокалиста(ки).

В дальнейшем пути отцов-основателей расходятся - Олег Мишин уходит в группу 'Catharsis', а Игорь Лобанов образовывает alternative группу "Слот". Но они остаются друзьями и тесно сотрудничают оформление личного сайта и сольного альбома Мишина "Ангел" (2007) исполняет именно Лобанов.

Дискография:
1995 "First Bequest"
1997 "Thalatta Et Thanatos"
1998 "Eclectica" Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
It was the beginning of 1993 when Igor Lobanov started looking for the appropriate candidates for the future musical cooperation. It took some time and was not without disappointments and replacements that finally, by spring 1994, End Zone turned into a more or less stable quartet of the like-minded persons musically educated and also willing to create. The first take was done when the musicians recorded their first demonstration tape with a few compositions in a rather raw form and performance. The sound and overall quality were not representative and that is why this tape was not distributed in any form among any audience.

The rest of the year the musicians spent on working, arranging and often rethinking the material. The result of this work was the first album by End Zone recorded at a professional studio in February 1995. Entitled “First Bequest” it contained 13 compositions created during the period 1992-1993. The music was fast, middle-tempoed and occasionally slow but at any speed it was artistically performed and arranged. It was aggressive, hard but shrouded in melody. The vocals is probably the most outrageous on this particular album. It is harsh and distorted with the dramatic feelings brought to the listener through the lyrics which mostly dwells upon very personal and not always positive emotions. However the music speaks for itself and it manages to bring forth the most important- the beauty. Even where the lyrics and the whole atmosphere of the song explores the utter darkness, it is always with the touch of beauty that the listener enjoys.

With the album released End Zone started playing concerts in Moscow, in major Russian cities and abroad (Shark Attack in Poland).

Shortly before the band started rehearsing the material for the next album the man behind the drums decided to leave the line-up due to his personal musical views. This short time out was exploited by the musicians to have a closer look at the future material and this resulted in the major “up-grade”, so to speak, of the line-up. The new material which was mostly written by the bands guitarist- Oleg Mishin- demanded a far more broader approach in the terms of instrumental performance. Guitars, bass and flute were joined by synthesizers. Thus along with the newly recruited drummer End Zone also invited a keyboardist.

The second album “Thalatta et Thanatos” was recorded in spring 1996. This is an absolute instrumental work: no word is spoken or sung. The album features End Zone’s compositions and their interpretations of the classics: Hendel, Grieg, Tchaikovsky to name a few . The work over the third album continued for one year. The album was mastered early in January 1998. Eclectica consists of six compositions including four completely new songs and two covers: Sepultura`s Refuse/Resist and the band interpretation of Mussorgsky`s Khovanschina. Eclectica was recorded in one of the Moscow`s and whole Russia`s best record studio SNC with the help of Russia`s best heavy metal producer (Evgeny Trushin) and thus the album sounds much better comparing to the band`s previous works.

The new work reveals musicians` capability of writing more melodic and still heavy songs with an emphasis on keyboards. One of the numerous particularities of this album is using few unusual for this kind of music instruments. These are End Zone`s traditional flute performed by the band`s lead guitarist and cello played by an additional musician. The important thing about the new album is using the so called clean or normal vocals which creates the bands unique melodic patterns and strengthens atmospheric impulse to the songs themes. The background vocals this time featured some female singing and a couple of spoken parts.

Now we have a completely new work that is once again a proof of the musicians’ capability to create unique music.

With three full length brilliantly and professionally produced albums End Zone stands almost alone as Russia’s most promising bands in this genre.

During the four years the band was playing live with such bands as CEMETARY OF SCREAM, VADER, PARADISE LOST, U.D.O., SLAYER etc. Even though the band does not have such live sound support as the above bands, the complexity of music and the professionalism of musicians at times compensated the bad sound. Anyway there’s still lots and lots of things to learn and discover.
Line-Up
Igor Lobanov - original guitarist, vocalist
Oleg Mishin - guitarist
Alexander Dronov - keyboardist
Andrei Ischenko - drummer
Official discography
FIRST BEQUEST - 1995
THALATTA ET THANATOS - 1996
ECLECTICA - 1998 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.