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Тексты песен Ocean Blue

Ocean Blue - Between Something And Nothing
2 дня назад 277,00 (не задано)
Ocean Blue - Frigid Winter Days
2 дня назад 262,00 (не задано)
Ocean Blue - Love Song
2 дня назад 376,00 (не задано)
Ocean Blue - Myron
2 дня назад 466,00 (не задано)
Ocean Blue - The Circus Animals
29 дня назад 289,00 (не задано)
Ocean Blue - The Office Of A Busy Man
28 дня назад 248,00 (не задано)
Ocean Blue - Vanity Fair
19 дня назад 287,00 (не задано)
Ocean Blue - Bliss Is Unaware
1 день назад 339,00 (не задано)
Ocean Blue - Cathedral Bells
2 дня назад 327,00 (не задано)
Ocean Blue - Crash
2 дня назад 441,00 (не задано)
Ocean Blue - Don`t Believe Everything You Hear
1 день назад 333,00 (не задано)
Ocean Blue - Emotions Ring
1 день назад 350,00 (не задано)
Ocean Blue - Ice Skating At Night
1 день назад 300,00 (не задано)
Ocean Blue - Peace Of Mind
23 часа назад 315,00 (не задано)
Ocean Blue - Sublime
2 дня назад 276,00 (не задано)

Информация о артисте

The Ocean Blue образовалась в Пенсильвании в 1986 году. Их музыку принято связывать с такими стилями, как дрим-поп, нью вэйв и джэнгл-поп (jangle pop — американская ветвь пост-панка). Среди музыкантов, повлиявших на творчество коллектива — The Smiths, Cocteau Twins, New Order, R.E.M. и Echo & the Bunnymen (каверы песен The Smiths и New Order группа исполняет на своих концертах до сих пор). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
The Ocean Blue is an indie pop group formed in 1986 in Hershey, PA, United States, best known for their self-titled debut album on the famed Sire Records label, a 1989 release that achieved widespread acclaim as well as radio and MTV airplay. Said album also included the tune "Between Something And Nothing", a #2 Billboard rock hit that's perhaps their most famous work. The band of four young high-schoolers from Hershey, Pennsylvania took inspiration from pop laden with jangly guitars as well as smooth, contemplative alternative rock. They went on to do two more well-received records for Sire, 1991's atmospheric 'Cerulean' and 1992's spirited 'Beneath the Rhythm and Sound', before going elsewhere.

Their sound has showed shades of their mellow yet tuneful post-punk forerunners such as Echo & the Bunnymen, Modern English, New Order, and The Smiths while still pursuing their own path. A fourth record, 1996's 'See', was released by Mercury/PolyGram before the band began leaving the majors altogether in the late 90s. The band did several independent releases from 1999 on into the 00s, including 2004's well-received 'Waterworks'. Then, several years later, the group began working on a new full length record, their first full album release in over a decade. Entitled 'Ultramarine', the band scheduled it for release on March 19, 2013 through Korda Records, a new Minneapolis-based cooperative label that the group helped launch in late 2012.

Over the years, they've gained a reputation as one of America's more influential dream pop artists, forming a sound that many artists would look to from the 90s onward. Their debut, 'The Ocean Blue', continues to draw praise from retrospective-minded musical critics as well as alternative music fans in general. In recent years, the group's followers have found 'Ultramarine' a spectacular return to form that recalls the band’s earliest work and should appeal to fans old and new alike.

On the title, band member and singer-songwriter David Schelzel has explained, "We chose Ultramarine to reflect several things. The mood of this record is a little blue, and harkens back to our other "blue" record, Cerulean. It's also a fun play on our name, and we were very conscious of our history as a band making this record. Thinking about our music, what it's meant to us and others. Asking a lot of existential questions about the band, what it was, is, and could be in the future."

Ultramarine was recorded in Minneapolis, MN, Portland, OR, and Mt Gretna, PA over several years, with Schelzel and drummer Peter Anderson producing. "This record unfolded in slow motion,” says Schelzel, “At a glacial pace. We were not on the clock we were when we were on the major labels. And we were not in an insulated studio world for months making the music. We made it mostly in our own studios, on our own time. Regular life drifted into this one more than our earlier records.”

Music recording and distribution, and the social networks of the Web have changed the landscape completely since the band’s last full length. Says Anderson, “We are using gear and technology on the recording side that for the most part didn’t exist when the band was making big budget studio records in the 90s. It’s allowed us to do a lot of things we’d never been able to do years ago, all at a much cheaper cost. We also have the ability to connect with people directly via the Web that wasn’t really there when we did our last release."

Musically, the new record is a return to form for the band. As well as a new beginning. Lyrically it is romantic, melancholic and impressionistic. The melodic singing, chimey guitars and lush keyboards the band is known for weave their way through the songs. Even the saxophone has returned on the opening track. But it is a record full of music that sounds very of the moment.

"It's an interesting time for us to be putting out a new record. So much of the music we see and hear now reminds me of things I loved growing up," say guitarist Oed Ronne. "My friends in their twenties like The Smiths and New Order. It's a strange thing, but good for us I think. We'd love to reconnect with our old fans, but also make new ones among the ranks of the young."

"I'm really looking forward to sharing this new music with people who know us and people who’ve never heard us before. And play some shows," says bass player Bobby Mittan. "It's been way too long." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.