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Тексты песен Voice Of The Beehive
Информация о артисте
Voice of the Beehive - дуэт калифорнийских сестриц Трейси Брин и Мелиссы Брук Белланд - одна из тех пригожих колледж-роковых групп конца 80-х, которые сейчас вспоминают нечасто, а зря. Меж тем, во время оно (1988-1991 - кто ж сейчас такое помянет?) группе сопутствовал определенный успех. Надо сказать, вполне заслуженный - экцентричный и обаятельный поп-рок c джангловыми гитарами, легким налетом актуального на тот момент дрим-попа, лукавыми текстами, небанальными мелодиями и широким диапазоном групп, "оказавших влияние" - от The B-52's и Blondie до Bangles и The Go-Go's - в те годы такая музыка не выходила из плейлистов университетских радио. Voice of the Beehive были ничуть не хуже своих коллег по цеху, а добрая половина их наивно-искренних хитов способна и сегодня выжать слезу из охочего до ностальгии меломана. Наконец, дух времени, сполна выразившийся в творчестве именно таких вот коллективов "второго эшелона", сегодня ценится особо, и вдохновляет не один десяток разнокалиберных новомодных проектов, но при всем изобилии сегодняшнего "новодела" припасть с истокам особенно приятно. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Voice of the Beehive are an Anglo-American college radio/alternative pop band, formed in London in 1987 by Californian sisters Tracey Bryn Belland and Melissa Brooke Belland, daughters of Bruce Belland of The Four Preps.
When the sisters first sang together they called themselves the Beehive Girls, because of their beehive hairstyles. Their initial success came with the 1988 album Let It Bee, on which they recruited former members from ska band Madness to play guitar and drums. The album was popular on college radio stations, and the success was largely due to their brightly-coloured image and shout-along songs that was an antidote to the doom and gloom college rock scene. Their biggest commercial success came in the early 1990s with the single, Monsters and Angels from the album, Honey Lingers. In 1994 the other members left the band. The sisters decided to continue, recording the album Sex & Misery. The album did not sell well in the UK, and early success in the USA for the single Scary Kisses was poorly capitalised on. In late 1996 their record company refused to extend their contract, and the girls disappeared from the music industry, although they re-formed to play three live dates with The Wonder Stuff in 2003. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
When the sisters first sang together they called themselves the Beehive Girls, because of their beehive hairstyles. Their initial success came with the 1988 album Let It Bee, on which they recruited former members from ska band Madness to play guitar and drums. The album was popular on college radio stations, and the success was largely due to their brightly-coloured image and shout-along songs that was an antidote to the doom and gloom college rock scene. Their biggest commercial success came in the early 1990s with the single, Monsters and Angels from the album, Honey Lingers. In 1994 the other members left the band. The sisters decided to continue, recording the album Sex & Misery. The album did not sell well in the UK, and early success in the USA for the single Scary Kisses was poorly capitalised on. In late 1996 their record company refused to extend their contract, and the girls disappeared from the music industry, although they re-formed to play three live dates with The Wonder Stuff in 2003. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.