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costello elvis

crimes of paris | guitar chord и Mp3

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Текст песни costello elvis - crimes of paris | guitar chord и Mp3

costello elvis - crimes of paris | guitar chord и Mp3 слова песни

From: schnitzi@east.isx.com (Mark J. Schnitzius)Crimes Of Parisfrom Blood and Chocolatetabbed by Clyde MacFadden (mls377@nwu.edu) Mike Sturgess (mls377@nwu.edu) Mark Schnitzius (schnitzi@east.isx.com)Intro: G G C D G C GI thought it was you and your optimist`s view of the clock G G/FAnd how it`s always another dayE AmJust after twelve o`clock`s struck Am Am/G DYou said "Now I only want you so I don`t have to promise" Am C But tiny children in grown-up clothes C/E D D/C D/B D/AWhispered all the Crimes of ParisCHORUS G C DYou`re not the girl next-door or a girl from France G G/F C/E C/DOr the cigarette-girl in the sizzle hot-pants C G/B D/A GAll the words of love seem cruel and crass C G/B D/A E (possibly G)When you`re tough and transparent as armoured glass C G/B D/A EYou`re everywhere girl in an everyday messAm C G C GWho`ll pay for the Crimes of ParisI heard that you fell for the "Hell or to Hammersmith Blues"In the tiny torn up peices of his mind he`s irresistible tooNow it`s hard to say now if he`s only stupid or smartWhen he crawled through the doorAnd poured out more of his creeping-Jesus heartChorusE E7And it`s all here and now Am Am/B Am/C A/EShe hit him with that paper-weight Eiffel TowerDm G Dm GAnd I tried to hold on to you but I don`t know how C C/B C/A C/AAnd I find it hard to swallow good advice Am Am/B Am/C Am/DLike going down three times to only come up twiceAm/D Am/E G C GCome up twiceShe`s so convenient, he`s always stiff as hair-laquerIt`s hard to discover now he`s in love with herIt was her way of getting her own backYou never did anything she couldn`t do on her ownYou`re as good as your word and that`s no good to herYou`d better leave that kitten aloneChorusFade out:(repeat last four bars of chorus) Am | C | G C G | G C G...----------------------------------------------------------------------Comments from Clyde MacFadden (mls377@nwu.edu):The tough thing about Crimes of Paris (as in many EC songs) is that he`s actually only playing five chords on the guitar, but the changes in the bass notes and the vocals are what you really hear. So, if you play it by yourself the way EC does on the album, it sounds like you`re missing a lot of important changes- and you are. Luckily, it`s not too tough to work the bass notes into the chords on this one...I imagine that`s how Elvis played it as he was writing it, and if he ever performed it by himself. Mark`s chords were on the right track, but his choruses and a few other parts were off. There are a few frustrating things about playing this song on guitar. One is the pesky G with F bass (there`s no F major in the song) in the verses, which is tough to play on guitar. It sounds *okay* if you play a G7 there- the F will be in the chord, just on top instead of on the bottom. A similar problem is the Am with G bass- which can be solved by flatting the A on the G string (what the hell chord is that anyway? Ammaj7?????) As for chords like C/E and G/B, well, the bass notes are in the normal major chords anyway, but I included the bass notation for fingerpicking purposes- or if any bass players want to give it a shot. [...]Whew! I guess that`s it. Only Costello could make such a mess out of G, C, D, Am, and E. I mean that as a compliment. If anyone thinks I messed up, feel free to add corrections. And if anyone thinks this is on target and wants other transcriptions, just ask. I don`t have the time to do this every night, but if I have the time, I`ll figure any Costello song out. I`ve even been trying to put together some guitar arrangements for songs from "The Juliet Letters" to play with my sister (no way my voice can handle some of that stuff...). It`s easy to hear the notes clearly with the Brodskys, but trying toactually play that stuff on guitar is a different matter. Even the occasional stuff that resembles good ole Costello pop melodies ("Why must I always apologize...") is way more complex than it sounds. You know, I said I was going to study tonight... -ClydeFrom: kevinmoore@cruz.com (Kevin Moore)(use Monaco font for proper chord alignment) G G/FAnd how it`s always another dayE7 AmJust after twelve o`clock`s struck Am Ami/G DYou said "Now I only want you so I don`t have to promise" G G/F C/E COr the cigarette-girl in the sizzle hot-pants C G/B D/A G/BAll the words of love seem cruel and crass C G/B D/A G/BWhen you`re tough and transparent as armoured glass C G/B D/A E/GYou`re everywhere girl in an everyday messE E/DAnd it`s all here and now Am Am/B Am/C A/EShe hit him with that paper-weight Eiffel TowerDm G Dm GAnd I tried to hold on to you but I don`t know how C C/B C/Bb AAnd I find it hard to swallow good advice Am Am/B Am/C ?/D ?/DLike going down three times to only come up twiceA/ECome up twice***analysis***The recurring device here is a major chord with the flat 7th in the bass.It happens on "another day" "cigarette girl" and "here and now" and "goodadvice".Also lots of 1st & 2nd inversion chords. The most original part is thebridge with the bassline walking up beneath the Am chord. Ami/B is, byitself very dissonant, as the B isn`t part of an Am or Am7, but in contextit sounds great. The end of the bridge is really strange with the same linecontinuing through D D E with the Beatles-like chanting going on againstit-I don`t know what to call those chords.Anyone care to analyze the lyrics? I like the line about going down 3 timesto only come up twice.Kevin Moorekevinmoore@cruz.com

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