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Phish

junta album | текст песни и табы (аккорды) для гитары и Mp3

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Текст песни Phish - junta album | текст песни и табы (аккорды) для гитары и Mp3

Phish - junta album | текст песни и табы (аккорды) для гитары и Mp3 слова песни

Date: Sat, 16 Sep 1995 13:09:29 -0500From: jes@noc.ans.net (Jason Sonnenschein)Subject: Phish Junta_Album.tab Part2I take no credit for the following tab... I found it at a Phish web site...FluffHeadTranscription by Eric Berman (ericbe@microsoft.com)Click here for the lyrics page for this song.Some chords that are useful: C(I) D9/11(I) G6(I) F2(I) G(II) F2(II) P P P PE|--0--------0------10-------8------3------3--B|--1--------3-------8-------6------0------1--G|--0--------0-------0-------0------0------2--D|--2-3-2----4-5-4---9-10-9--7-8-7--0------3--A|--3--------5------10-------8------2---------E|----------------------------------3---------The additional notes shown after each chord rock up and back to the sus- 4version of the chord; listen to the song and you`ll hear where that notegoes.The song starts out like this:|: C(I) D(I) G(I) F(I) :| (4x, I think)ThenG(II) F2(II) 4xG(II) F2(II) G(II) F2(II)Fluffhead was a man G(II) F2(II) G(II) F2(II)With a horrible diseaseG(II) F2(II) G(II) F2(II)Could not find no cure G(II) F2(II) G(II) F2(II)Won`t you help him if you please?C(I) D(I) G(I) F(I) C(I) D(I) G(II) Fluff-Head!C(I) D(I) G(I) F(I) C(I) D(I) G(II) Fluff-Head!Next verses just like the first:Fluff came to my doorAskin` me for changeHis eyes were clear and pureBut his mind was so derangedFluff went to a bankerAskin` for some billsThe banker said, "I ain`t got thatBut I sure got some powerful pills."Fluff`s TravelsTranscription by Tim Corley (of Hoobis Doobis)Typed in by Neil Berkman (berkman@cs.umass.edu)Minor editorials by Eric Berman (ericbe@microsoft.com)These are played twice: HE|-------------9-10----12-10-9----------9--9-10-9------------------|B|-------10-12-----------------10-------10---------------9-12------|G|-11-12------------12------------11----11-------------9-----------|D|-----------------------------------12-12-----------9-------------|A|------------------------------------------------11---------------|E|-----------------------------------------------------------------| HE|-9-------------------------|B|---12------------10--------|G|---------------9-----------|D|------11----11---------11--|A|---------12---------12-----|E|---------------------------|Then the following phrase and chords are repeated twice:E|----------------| |: E A A/B E A A/B E A A/B D :|B|----------------|G|---------4------|D|---4-6-7--------|A|-7---------7----|E|----------------|Then this twice:E|--------7-8-7-----|B|-7-8-10-------8---|G|----------------7-|D|------------------|A|------------------|E|------------------| G C D G C D G C D C DThe fingerings are: C D GE:-3---5--10-|B:-1---3--8--|G:-0---0--0--|D:-2---4--9--|A:-3---5--10-|E:-----------| C/E ^E|-----------------------------------------------5-8-0-----------|B|-3-----------------------3-----3-----3-6-0-3-6-----1-----------|G|---------------2-----2-4---2-4---2-4---------------0-----------|D|-----0-3-3-0-3---0-3-------------------------------2-----------|A|---2-----------------------------------------------3-----------|E|---------------------------------------------------0-----------|The Chase: (1:09)E|-------------------------------------------------------|B|-------------------------------------------------------|G|-5-2-0-4-0---0-----------------------------------------|D|-----------3---2---0-3-2-----3-0---2-3-2-3---3-0---2---|A|-----------------3-------3-1-----1---------1-----1-----|E|-------------------------------------------------------|E|-----------------|B|-----------------|G|-2---0-----------|D|---3---2-3-0-2---|A|---------------3-|E|-----------------| rakeE|-12-10-------------------------------------------|B|-X-----11-8--------------------------------------|G|-X----------10--------------10-7----9-7---5------|D|-X-------------10-8------10------10-----8---7----|A|--------------------10-8-------------------------|E|-------------------------------------------------|E|-------------------------|B|-------------------------|G|-------------------------|D|---5-8-7-----8-5---7-8-7-|A|-8-------8-6-----8-------|E|-------------------------|E|-----------------0-2-3-0---2---------------------|B|-------------------------3---3-1-3-0-----1-0-----|G|-------------2-4---------------------0-2-----0---|D|-5-4-----0-2-----------------------------------3-|A|-----0-2-----------------------------------------|E|-------------------------------------------------|E|--------------------------------------------------------------------|B|--------9-8-----------5-4-------------------------------------------|G|---8-10-----8-6-3-4-6-----4-2-------5-4-----5-2---4-5-4-5---5-2---4-|D|-10---------------------------4-5-7-----5-3-----3---------3-----3---|A|--------------------------------------------------------------------|E|--------------------------------------------------------------------|E|-------------------------------------------------------|B|-------------------------------------------------------|G|-5-2-0-4-0---0-----------------------------------------|D|-----------3---2---0-3-2-----3-0---2-3-2-3---3-0---2---|A|-----------------3-------3-1-----1---------1-----1-----|E|-------------------------------------------------------| |--Half time->E|-----------------------------------------0---2---------------------|B|-------------------------------------------3---3-1-3-0-----1-0-3-0-|G|-2---0-----------2-0-4-0---0-----------0---------------0-2---------|D|---3---2-3-0-2-----------3---2---0-3-2-----------------------------|A|---------------3---------------3-----------------------------------|E|-------------------------------------------------------------------| |--Full Speed->E|-----------------------------------------------------------------|B|---2-------------------------------------------------------------|G|-2---2-0-2-------0---2-0-------4-----2-------------0-----5-2-0---|D|-----------4-0-2---4-----2-4-0---5-4---5-4-0-4-0-2---4-0---------|A|-----------------------------------------------------------------|E|-----------------------------------------------------------------|E|-----------------------------------------------------------------|B|---------------------------------2---------------4---------------|G|-3-2-----4-5-2-0-4-0---0-----4-2---2---2-----6-4---4---4---------|D|-----2-3-------------3---2-0---------5---4-2---------7---6-4-----|A|-----------------------------------------------------------------|E|-----------------------------------------------------------------|E|----------------0---2--------------------------------------------|B|-----5------------3---3-1-3-0-----1-----0------------------------|G|-8-6--5---5-------------------0-2---2-0---0---0------------------|D|--------8---7-5-----------------------------3---2---0-3-2--------|A|--------------------------------------------------3--------------|E|-----------------------------------------------------------------| EE|---------------------------------------------------------------0-|B|---------------------------------------------------------------0-|G|--------------------------------2---0--------------------------1-|D|-----3-0---2-3-2-3---3-0---2------3---2-3-0-2---0--------------2-|A|-3-1-----1---------1-----3--------------------3---2-3-0-2------2-|E|----------------------------------------------------------3-0--0-|Who Do? We Do!: (2:21)E|-------------16----------------------------14-15-17-18-20--|B|----14----13----14-12-------------14-16-17-----------------|G|-------15-------------13-----------------------------------|D|-16----------------------14----16--------------------------|A|----------------------------16-----------------------------|E|-----------------------------------------------------------|Then this phrase seven times:E|-21-19--------|B|-------19-----|G|----------18--|D|--------------|A|--------------|E|--------------|E|16----------------------------------------15----------14----------|B|------------------------------------14-16----16-14-16----15-13-15-|G|---13-12-------13-12----------12-14-------------------------------|D|---------13-11-------13-11-13-------------------------------------|A|------------------------------------------------------------------|E|------------------------------------------------------------------| /S /S /S /S /SE|-14----------14----------------------------------------------------|B|----15-13-15----15-13-------12-------13-------14-------15-------16-|G|----------------------11-12----12-13----13-14----14-15----15-16----|D|-------------------------------------------------------------------|A|-------------------------------------------------------------------|E|-------------------------------------------------------------------| /S /S /S /SE|-----------------------------------------------------------------|B|-------17-------18-------19-------20----------20-----------------|G|-16-17----17-18----18-19----19-20----20-18-20----20-18-20-18-----|D|-------------------------------------------------------------19--|A|-----------------------------------------------------------------|E|-----------------------------------------------------------------|E|----------------------------------------------19-19-19-19--------|B|-------------------19----------19--------------------------------|G|----------------------19-17-19----19-17----18--------------------|D|-17----------17-19----------------------19-----------------------|A|----18-16-18-----------------------------------------------------|E|-----------------------------------------------------------------|Now these chords:B (4x) C (2x) C (1x) D (3x) E (2x) F (3x) Fm/C? (5x)These are fingered as: B C C D E F Fm/C?E:-7--9---8--10--12--13--14---B:-7--9---8--10--12--13--14---G:-8--10--9--11--13--14--14---D:-9--11--10-12--14--15--15---A:-----------------------16---E:----------------------------Then these chords are played 4 times:(This is under the bluesy piano part that begins at 3:15)|: Em Fm G A :|Then a D chord is played, followed by these chords 7 times:|: A E C D :|Then A E C again, and then these:Bb (3x) C (5x) Bb (3x) C (5x) D (4x) Em (3x) F7? (2x) B5 (2x)B2 (4x) C (2x) C (1x) D (3x) E (2x) F (3x)These are fingered as follows: Bb C D E F7? B1 B2 C F B5E:-6---8--10--12--14----19--7---9---13---B:-6---8--10--12--14----19--7---9---13---G:-7---9--11--12--15----20--8---10--14---D:-8---10-12--14--14----21--9---11--15-9-A:----------------16-------------------9-E:----------------14-------------------7-Then the following chords are played:Fm/C? (5x) Gm/D? (4x) Gm/D? (3x) Am/E? (2x) Am/F? (1x) Bm/F? (1x)These are fingered as: Fm/C? Gm/D? Gm/D? Am/E? Am/F? Bm/F?E:--14------15----16------17----18-----19-----B:--14------15----16------17----18-----19-----G:--14------15----16------17----18-----19-----D:--15------16----17------18----19-----20-----A:--16------17----18------19----20-----21-----E:--------------------------------------------Clod: (4:12)This is repeated three times: ? ? slide down from thisE|-6----------5------12-12-12--12-12-12--22-------------------------|B|-6--------5---5----10-10-10--10-10-10-----------------------------|G|-6------6------6---10-10-10--10-10-10-----------------------------|D|-8-----8---------8-10-10-10--10-10-10-----------------------------|A|-7----7-----------------------------------------------------------|E|-6--5-------------------------------------------------------------|DmTipsy fuddled boozy groggy elevatedDm C DmPrime did edit herDmHellborn elfchild roadhog mountain fortune hunterDm C DmMan beheaded herG AFat bulk expanse mass lump block clodDmTipsy fuddled boozy groggy elevatedDm C DmPrime did edit herNext round uses the same chords:DmRabid victim martyr stranded Dm C DmLevel headed boy, ya better bendDmSoon your luscious honey sugar Dm C DmMellifluous life is gonna endG AFat bulk expanse mass lump block clodDmrabid victim martyr stranded Dm C Dmlevel headed boy, ya better bendAnd of course....G C Am7 DFluff-Head (repeat and fade)Then play opening theme from Fluffhead.----------------------------------------------------------------------------FoamFrom: ericbe@microsoft.com (Eric Berman)Click here for the lyrics page for this song.Foam is a fairly straighforward solo to play, but it`s a lot of funnevertheless. The solo works very directly from the chords: if you look atthe notes of the solo, it`s really just arpeggiations that outline the chordchanges. The beauty of the solo (IMHO) is how each chord leads into thenext, and how the solo anticipates the chord change in such a natural way.Solo to "Foam" by Trey Anastasio and PhishChrds:C A/C G/D /S /S /SE|---|-----8-10-12-----12-10-|-9--------------|-----7---10---7---|B|---|---8-------------------|---10-----------|---8---8----8---8-|G|-8-|-9---------------------|------9-----9-8-|-7----------------|D|---|-----------------------|----------------|------------------|A|---|-----------------------|----------------|------------------|E|---|-----------------------|----------------|------------------| Eb+ C/E FE|-11------------|-12----10----------12---|-13----12----10----13----|B|----8----10-10-|----10----10-13-10----10|----10----10----10----10-|G|---------------|------------------------|-------------------------|D|---------------|------------------------|-------------------------|A|---------------|------------------------|-------------------------|E|---------------|------------------------|-------------------------| D/F GE|-14----12----10----14----|-15----14----12----15----|B|----10----10----10----10-|----12----12----12----12-|G|-------------------------|-------------------------|D|-------------------------|-------------------------|A|-------------------------|-------------------------|E|-------------------------|-------------------------| E/G Am BbMaj7 /SE|-16----14----12----16-|-17-17------------|----------------15-16-|B|----12----12----12----|---------18-17----|----------15-18-------|G|----------------------|------17-------15-|-15-14-15-------------|D|----------------------|------------------|----------------------|A|----------------------|------------------|----------------------|E|----------------------|------------------|----------------------| Am Ab C/GE|-17-17-17--------|-16-15-------------------|-------------------------|B|----------17-----|-------16----------------|-------------------------|G|-------------14--|------------13-12--------|-------------------------|D|-----------------|------------------13-----|----14-17-16-15-14-------|A|-----------------|----------------------15-|-15----------------15-16-|E|-----------------|-------------------------|-------------------------| -----/ D/F F /SE|-------------------------|-------------------------|B|-------------15----------|-------------------------|G|-------14-16----16-14----|----14-17-16-15-14-------|D|----16----------------14-|-15----------------15-16-|A|-17----------------------|-------------------------|E|-------------------------|-------------------------| G CE|----------15-------------|-------------------------|B|-------15----17-16-15----|----20-19-18-17----------|G|----16----------------18-|-17-------------17-16-15-|D|-17----------------------|-------------------------|A|-------------------------|-------------------------|E|-------------------------|-------------------------| A/C G Eb+ /SE|-------------------------|----------------|------------------------|B|----17-16-15-14----------|----------14-15-|-16------------12----12-|G|-14----------------14-15-|-16-16-16-------|----16---11-12----13----|D|----------------14-------|----------------|------------------------|A|-------------------------|----------------|------------------------|E|-------------------------|----------------|------------------------| -----------+ C/E F D/F /SE|--------------|-------------|-------------------------|B|-------12-----|----13----13-|----12----12----12----12-|G|-14-------14--|-14----14----|-14----13----12----11----|D|----14--------|-------------|-------------------------|A|--------------|-------------|-------------------------|E|--------------|-------------|-------------------------| -------+ G E/G Am BbMaj7 /S SE|---------------|-----------|-----19-17-17-|-18-------20-17-----|B|------15-17-15-|-17-----17-|-17-----------|-------18-----------|G|-12---12-14-12-|-13--16----|-14-----------|----19-----------16-|D|---------------|-----------|--------------|--------------------|A|---------------|-----------|--------------|--------------------|E|---------------|-----------|--------------|--------------------| Am Ab C/G /S PE|-------19-18--16----|----16-15----------|-------15----15---|B|----17-----------17-|-16-------16-------|------------------|G|-17-----------------|-------------17----|------------------|D|--------------------|----------------18-|-17-17----17------|A|--------------------|-------------------|------------------|E|--------------------|-------------------|------------------| D/F F GE|-------14----14-|-------13----13-|----12----11----12----11-|B|----------------|----------------|-------------------------|G|----------------|----------------|-------------------------|D|-16-16----16----|-15-15----15----|-14----13----12----11----|A|----------------|----------------|-------------------------|E|----------------|----------------|-------------------------|(Notice: the rest of the solo is simply octaves on the bass note of thechord. Kind of makes it simple. My notes are only approximate; thefingerings/frets should be right, but listen to the song to get the exactfeel) C A/C G Eb+E|--------8----8--|-------9-----9--|-------10----10-|------11-----11-|B|----------------|----------------|----------------|----------------|G|----------------|----------------|----------------|----------------|D|-10-10----10----|-11-11----11----|-12-12----12----|-13-13----13----|A|----------------|----------------|----------------|----------------|E|----------------|----------------|----------------|----------------| C/E F D/F GE|-------12----12-|-------13----13-|-------14----14-|------15-----15-|B|----------------|----------------|----------------|----------------|G|----------------|----------------|----------------|----------------|D|-14-14----14----|-15-15----15----|-16-16----16----|-17-17----17----|A|----------------|----------------|----------------|----------------|E|----------------|----------------|----------------|----------------| E/G Am BbMaj7 AmE|-------16----16-|-------17----17-|-------18----18-|------17-----17-|B|----------------|----------------|----------------|----------------|G|----------------|----------------|----------------|----------------|D|-18-18----18----|-19-19----19----|-20-20----20----|-19-19----19----|A|----------------|----------------|----------------|----------------|E|----------------|----------------|----------------|----------------| Ab C/G D/F FE|-------16----16-|-------15----15-|-------14----14-|------13-----13-|B|----------------|----------------|----------------|----------------|G|----------------|----------------|----------------|----------------|D|-18-18----18----|-17-17----17----|-16-16----16----|-15-15----15----|A|----------------|----------------|----------------|----------------|E|----------------|----------------|----------------|----------------| GE|-15-|B|----|G|----|D|-17-|A|----|E|----|And of course, the outtro riff:(8th notes throughout) /SE|12-------------------|-----------12--12-|-15-12-----12--17-15-|B|-------12-15-12------|-13--13--13--15---|------13-15--13------|G|--12-14--------12-14-|---14--14---------|---------------------|D|---------------------|------------------|---------------------|A|---------------------|------------------|---------------------|E|---------------------|------------------|---------------------|E|-13-12-------12--------|B|-------13-15---13------|G|-----------------14-12-|D|-----------------------|A|-----------------------|E|-----------------------|Then up two frets: /SE|14-------------------|-----------14--14-|-17-14-----14--19-17-|B|-------14-17-14------|-15--15--15--17---|------15-17--15------|G|--14-16--------14-16-|---16--16---------|---------------------|D|---------------------|------------------|---------------------|A|---------------------|------------------|---------------------|E|---------------------|------------------|---------------------|E|-15-14-------14--------|B|-------15-17---15------|G|-----------------16-14-|D|-----------------------|A|-----------------------|E|-----------------------|And up another two frets: /SE|16-------------------|-----------16--16-|-19-16-----16--21-19-|B|-------16-19-16------|-17--17--17--19---|------17-19--17------|G|--16-18--------16-18-|---18--18---------|---------------------|D|---------------------|------------------|---------------------|A|---------------------|------------------|---------------------|E|---------------------|------------------|---------------------| And the "Entertainer" theme...E|-17-16-------|-16------16-16---------|-16------16-16---------|B|-------17-19-|---17-19------17-19-17-|---17-19------17-19-17-|G|-------------|-----------------------|-----------------------|D|-------------|-----------------------|-----------------------|A|-------------|-----------------------|-----------------------|E|-------------|-----------------------|-----------------------| ---/ ---/E|-16------16-16---------|-----12-|B|---17-19------16-19-19-|-17-----|G|-----------------------|--------|D|-----------------------|--------|A|-----------------------|--------|E|-----------------------|--------| ---/ ---/----------------------------------------------------------------------------From jes@noc.ans.net Sat Sep 16 17:07:26 1995Received: from post-office.nevada.edu (root@post-office.nevada.edu [131.216.1.11]) by mailhost.tcs.tulane.edu (8.6.12/8.5) with ESMTP id MAA10880; Sat, 16 Sep 1995 12:07:23 -0500Received: from bugsy.aa.ans.net (root@bugsy.aa.ans.net [198.83.21.9]) by post-office.nevada.edu (8.6.12/8.6.4) with ESMTP id KAA13022 for ; Sat, 16 Sep 1995 10:07:23 -0700Received: from [198.83.21.155] (jes.aa.ans.net [198.83.21.155]) by bugsy.aa.ans.net (8.6.12/8.6.12) with SMTP id NAA37878; Sat, 16 Sep 1995 13:07:12 -0400X-Sender: jes@noc.ans.net (Unverified)Message-Id: Mime-Version: 1.0Content-Type: text/plain; charset="us-ascii"Date: Sat, 16 Sep 1995 13:09:45 -0500To: guitar@nevada.eduFrom: jes@noc.ans.net (Jason Sonnenschein)Subject: Phish Junta_Album.tab Part1Cc: jes@noc.ans.netStatus: OI take no credit for the following tab... I found it at a Phish web page.Junta----------------------------------------------------------------------------Dinner and a MovieFrom: kcjonz@wam.umd.edu (David Douglas McCallum)Click here for the lyrics page for this song.Here`s what I could figure out of this crazy tune. My tab features a new[for me] notation underneath that designates what fingers I use for eachnote, as some of the stretches might not be that easy or obvious to someplayers. Of course, this is subjective, and if you figure out an easier wayto play it, please let me know.Intro chords: Am7 F71st verse - no chords (*Guess* what the lyrics are! ;^)Am7 F7Let`s go out to dinner and see a movieAm7 F7Let`s go out to dinner and see a movieAm7 BbLet`s go out to dinner - and see a movieB CLet`s go out to dinner and see a moviePiano & guitar riff[Play 4x - 1st two: piano & guitar in unison, 2nd two: p&g harmonize] S/E|--------------8-10--------------------------------9-------------------B|------------11----11-10-------------------------13-13-9---------------G|-----------8----------10-------------------10-13-------10-------------D|----8-12-10------------10-------------10-11--------------11-10--------A|------------------------11-10-------11------------------------11-10---E|8-11-------------------------11-9-13-------------------------------11- 1 4 1 4 3 1 4 1/ 2 1| 2 1 2 1 4 2 1 2 1 4| 1 4 1 2 3 2 3 2 3Guitar SoloPiano & guitar riff again"Sing-song" section [play 4x]Amaj7 Dmaj7Let`s go out to dinner and see a movieLast verseAm7 F7Let`s go out to dinner and see a movieAm7 F7Let`s go out to dinner and see a movieAm7 BbLet`s go out to dinner - and see a movieBdim CdimLet`s go out to dinner and see a movie----------------------------------------------------------------------------Divided SkyFrom: Kirk Mehtlan (KM1324@ark.ship.edu)From: Eric Berman (ericbe@microsoft.com)Click here for the lyrics page for this song.Intro theme:|: A D9/A (4 times) C/A A(9) :| C/A E (A) "Ahh... Dividedsky, the wind..."The chords are played like this: A C D9E:--0---0---12--B:--5---8---10--G:--6---9---11--D:--7---10--12--A:--0-------0---This is followed by a few measures of really ecclectic stuff that I haven`tfully figured out (yet). The ecclectic portion, however, ends with 6 notesthat lead into some relatively straightforward chords; no timing informationis shown below, you have to listen to the song to see where the changes are.The 6 notes are G A B G A C, and the chords are:|: A A/C G/D G/B A/C D/A G/B A :| D9The D9 here is played with an open E string, like this: D9E:--0-B:--3-G:--2-D:--0-A:----This leads into the following chords that are in something like a 15/8 time;it flows very naturally, but is not a straight 4/4 (I think it jumps around;I haven`t really broken it down all the way yet). Each pair of chords inparentheses below is repeated 3 times.(Am7 Bm7) (Cm7 Dm7) (Ebm7 Fm7) (Fm7 Abm7) (Am7 Bm7)I`m fairly certain that Trey is using the standard Jazz fingering forthese minor 7 chords: Am7 Bm7 (etc.)E:--5-----7-B:--5-----7-G:--5-----7-D:--5-----7-A:----------E:--5-----7-The idea is that you use your 2nd finger on the 6th string and the 3rdfinger barred across the other 4 strings, and you play all of these chordsin the same way, just changing your position on the fretboard.Anyhow, this leads directly into the first guitar solo. The bend on thefirst note and the slide, pull-offs, hammer ons, and vibrato, are the keysto playing this right. Again, no timing information is shown (sorry).Solo 1: A C Fm E D 1 / P P P P H ~E|------9----------------------------------------------------------|B|-12-----12-9-9------------------10-9-------12----------------10--|G|---------------11-9-----9------------9--------11-(9)-------------|D|--------------------11----11-9---------9-------------11-9-11-----|A|-----------------------------------------------------------------|E|-----------------------------------------------------------------| B A /S P H ~ P H ~ P H /S ~E|-----------------------------------------------------------------|B|-----------------12------------12------------12-10---------10----|G|-----------------------------------------------------------------|D|-11-13--13-11-13------13-11-13-----13-11-13--------11-9-11-------|A|-----------------------------------------------------------------|E|-----------------------------------------------------------------|This repeats twice, on the second time playing this bridge: A E Eb F A C 1 / P PE|------9-------------------------------------------9-9-11-12-|B|-12-----12-9-9------------------------10-11-11-13-----------|G|---------------11-9-----9--9-11-12-12-----------------------|D|--------------------11--------------------------------------|A|------------------------------------------------------------|E|------------------------------------------------------------| Eb F AE|-12-14-15--15-17-18---18-20-21--------|B|--------------------------------------|G|--------------------------------------|D|--------------------------------------|A|--------------------------------------|E|--------------------------------------|The solo repeats twice more, ending like this: A E D/E E A/E Emaj7 A/E E D/E Gm7 Gm7b5 F 1 | / P P vE|------9------------------------------------------------------------|B|-12-----12-9-9--------------7--9--10---9---10--9--7--11---11----10-|G|---------------11-9-----9---7--9--9----8---9---9--7--10---10----10-|D|--------------------11------7--9--11---9---11--9--7--12---11----10-|A|----------------------------7--7-------7-------7--7--10---10----8--|E|-------------------------------------------------------------------|The organ plays on the F chord very quietly as the second solo starts.Notice the implied notes (in parentheses); these are sometimes played,sometimes not, but they are very important to the feel of the song. Don`temphasize them too much; they should be used as passing guide tones.Solo 2: F Bb C Am7 H H H PE|----------13---------------13-12-10----12-10----12-(10)-12-10----|B|-------10---------------10----------12-------12---------------13-|G|-10-12------------10-12------------------------------------------|D|-------------(10)------------------------------------------------|A|-----------------------------------------------------------------|E|-----------------------------------------------------------------| Dm7 Gm7 C F H H P H HE|----------10------------10---------------------------------------|B|-------10-------------10---13-11----13-11--(11)-13-(11)-13-11-10-|G|-10-12-----------10-12----------(12)-----12----------------------|D|-------------(10)------------------------------------------------|A|-----------------------------------------------------------------|E|-----------------------------------------------------------------|This repeats 4 times, the fourth time ending on a BbMaj7 instead of an F,then it plays this bridge: Dm7 Am7 BbMaj7 F /SE|----10-12-13----10-13-12----10-12-10-17-15-13------|B|-10----------10----------13-------------------13---|G|---------------------------------------------------|D|---------------------------------------------------|A|---------------------------------------------------|E|---------------------------------------------------| Dm7 Am7 Gm7 CE|----------------------------------------------|B|----------------15-13----------------------13-|G|----12-14----14-------14-12-14-15-12-14-15----|D|-15-------15----------------------------------|A|----------------------------------------------|E|----------------------------------------------|The solo repeats 2 more times (substituting the BbMaj7 on the last timeagain), then plays the bridge again with more distortion on the guitar, thenrepeats the solo 2 more times, again substituting the Bbmaj7 and holding thelast note as long as possible.This leads into (yes, you guessed it)....Solo 3 (Ending theme): D D/C Bm7 D/A Em Em/Eb Em/D Em/C*E:--17------14-15-17-------------14-15-17----------------B:---------------------15-17----------------------------- Em Em/Eb Em/D Em/CE:---------19----15-17-19-----B:--------------------------- D D/C Bm7 D/AE:--14-14-14----14-15-17-----------------B:--------------------------------------- D D/C Bm7 BbMaj7E:-17-14----19-17-15-14------------B:-------15-------------15-17-15--- A D D/C Bm7(D/B) D/A, etc.E:-----------------15-14---------------------------------------------B:--14-------15-15-------17----14-14-12-14-15------------------------(*Note: an alternate way to notate this progression is Em Eb+ G/D Cmb5;this highlights the falling baseline a bit better at the expense of makingthe chords seem a lot more complicated.)Finally, the outtro chords are as follows:|: D D/C D/B D/A :| D D/C D/B Bb6 Eb Eb/Db Eb/C B6 E E/D E/C C6 B E----------------------------------------------------------------------------EstherEric Berman (ericbe@microsoft.com)(Music and Lyrics - Trey Anastasio)Click here for the lyrics page for this song.Here`s how to play the main riff chords in the song. The chords are shown inthe inversion that you should use, top note on top and bottom note onbottom: F/C F+/C Dm F7/Eb BbMaj7/D BbmMaj7/Db Am7 Gm7 C7 --- --- --- ---- --- --- --- --- --- A A A A A A G Bb Bb F F F F F F E G G C C D Eb D Db C F E D(Notice that in the BbMaj7 and BbmMaj7/Db, the Bb is implied. When Mikecomes in on the bass, the bass plays the Bb, but the organ doesn`t.Likewise, the A isn`t stated in the Am7 until Mike plays it on the bass.)There are other chords in the song, but the fingering on them isn`t asimportant as for these, so you can use whatever is comfortable.Most of the song, especially at the start, has an "oom-pah-pah" feel (whichkind of makes sense, since the song is in 3/4.) To play the chordscorrectly, play the bass note, then the other two notes twice. For example,the intro starts like this:F/C F+/C Dm F+/C----- ------ ----- ------ A A A A A A A A F F F F F F F FC C D C ....Find a good Hammond patch to play it with and your all set..."Circus theme" Intro:F E Eb E Eb D C C B CIntro:F/C F+/C Dm F+/C F/C F+/C Dm F+/C F/C F+/C Dm F7/EbIt was late one fall night at a fairground near town BbMaj7/D BbmMaj7/Db F/AWhen Esther first saw the Armenian man Am7 DmWho grovelled toward her and stood by her side Gm7 C7With a bucket that swung in his hand (Bass joins in here> F/C F+/C Dm F7/EbHis grin stretched the folds of his pasty white cheeks BbMaj7 BbmMaj7 F/AAnd his lips hurled a dollop of murk on the curb Am7 DmAnd the lights from the rides showed a mischievous sparkle Gm7 C7That flashed in his hollow eyed stare(same)He said "Little girl, you can chop off my legsAnd then peel off my socks if you want to.But I`d rather you took this old puppet from meThat I hold in my pail as we speak."(same except transition chords at end of verse)And he stood looking down at the innocent girlAnd she stared at the bucket bewilderedTil he lifted the doll for the young girl to see Gm7b5/Db Eb Em->Fm7->F->BC7 transition to guitar solo, then chords from the verses under the solo,then back to the flying jam chords. At the end of this, hold the B chord andplay the following B arpeggio on the guitar:B D F D (repeat)(B arpeggiation)And she began to plummet earthward till sheLanded in the nasty part of town Em (Bass goes E->Eb->D->Eb and repeats)She glanced about the village sure to find the evil men FmWho rob and pillage in the darkest hour of nightEbmNervously she fumbled for the pouch that held the EmPuppet on her rump.(Same)Feeling quite outnumbered Esther hid behindA nearby pile of lumber, where she waitedTill the dawnCause it would have been a blunder toSuccumb to a hoodlum on the prowl D A/C C G/BWhen the morning came, she wandered through the streetsBb D/A E7/G GmAlong the chilly lake that lay beside the town D/F G E7/G AAt last a peaceful moment, but she thought she heard a sound A7 A6 A Dm7 (arpeggiation)It was an angry mob of joggers coming up to knock her down(same chords as verses)As Esther stood and shook her headThe joggers were approachingAnd she knew she had no choice left but to swimAs the frosty water sank its bitter teeth into her hideShe tried to slide the heavy clothing from her skinNaked now she made her way toward the shoreWhen suddenly she felt a tiny tugging at her toe.And the puppet she`d fogotten wrapped its tiny Gm7b5/Db EbLittle arms around her ankle and wouldn`t let her go.Ab etc...The waves seemed to open and swallow her wholeAs the doll pulled her down through the eerie green deepAnd the sound of the laughing old man filled her earsAs she drifted away to a tranquil E (flying jam)And motionless sleep.Cool guitar solo over flying jam: E EmE|-------------|-15-12-12----------------|B|-12-14-------|----------12-12-------12-|G|-------13-13-|----------------12-14----|D|-------------|-------------------------|A|-------------|-------------------------|E|-------------|-------------------------| Fm F /2E|-17-14-14--17-(17)-14-14--------|-18-14-14---18-14-14--|B|--------------------------------|----------------------|G|--------------------------------|----------------------|D|--------------------------------|----------------------|A|--------------------------------|----------------------|E|--------------------------------|----------------------| B E EmE|-19-|-------------|-15-12-12----------------|B|----|-12-14-------|----------12-12-------12-|G|----|-------13-13-|----------------12-14----|D|----|-------------|-------------------------|A|----|-------------|-------------------------|E|----|-------------|-------------------------| Fm F /2E|-17-14-14--17-(17)-14-14--------|-18-14-14---18-14-14--|B|--------------------------------|----------------------|G|--------------------------------|----------------------|D|--------------------------------|----------------------|A|--------------------------------|----------------------|E|--------------------------------|----------------------| B EE|-19--|-21-23--|-12-|B|-----|--------|----|G|-----|--------|----|D|-----|--------|----| Strike and hold an E chord to end.A|-----|--------|----|E|-----|--------|----|----------------------------------------------------------------------------FeeFrom: Eric Berman (ericbe@microsoft.com)From: David Douglas McCallum (kcjonz@wam.umd.eduClick here for the lyrics page for this song. Cm AbmIn the cool shade of the banana tree Bbm GbmOn the rugged trail toward the balcony Gbm7 DbA child of the twentieth century AbA dried up Goliath and a weasel named Fee(same chords for each verse)Far away in another placeA fading beauty named Milly GraceA gospel singer with pocks on her faceAnd a bamboo cane to help her keep the paceFee was a Buddhist prodigyLong past the age of maturitySomeday he knew it would set him freeLike it did for Floyd the chimpanzeeEb Bb DbOh, Fee, you`re trying to live a life AbThat`s completely free. EbYou`re racing with the wind BbYou`re flirting with death Gm7So have a cup of coffee AbAnd catch your breathPiano solo after the chorus:Cm Bb Ab Eb Fm7 Cm7 BbFee first met Milly in a bar in PeruHis heart was jumping like a kangarooLike a beast in a cage in an old Dutch zooIt was hopping and thumping in wooden shoesBut Floyd was jealous and aloneHe wanted Milly for his ownA desperate craving in his bones"Their love", he said, "I will not condone."Then one day on a ship to QuebecFloyd found Milly on a lover`s trekHe picked up a bottle and broke off the neckIt sliced through the air, and Fee hit the deckOh, Fee, you`re trying to live a lifeThat`s completely freeYou want to stay with MillyUntil you`re deadBut you just got a bottleUpside your headMilly turned and began to scream at FloydShe said "You think you`re pretty mean"And though she was as thin as a small string beanShe slammed him in the face with a nectarineFloyd fell back over the edge of the shipTill he hung from the rail by his fingertipMilly said, "Floyd I`ll make you lose your gripWith this tiny piece of paper I can make you slip"So Milly took that paper and did the deedFloyd hit the water with astonishing speedAnd as the sharks circled and began to feedMilly knew her weasel was finally freeOh, Fee, you`re trying to live a lifeThat`s completely freeFloyd is dead; he`s nothing but a rippleCause Milly took that paperAnd sliced him on the nippleFrom: David Douglas McCallum (kcjonz@wam.umd.edu)Also, the key you put it in is the old one that they recorded it in forJunta and used to play years ago. Nowadays they have dropped it one halfstep. This allows the use of open chords [which Trey did, when I watchedhim] and is a bit easier on the vocal chords - mine anyway. I would hopethat the full version would make it into the CHORDS file.P.S. The version of Fee from Ian`s Farm - 8/27/87 has the piano solo sectiongoing through twice each time...more room for Page to stretch out =^)----------------------------------------------------------------------------From jes@noc.ans.net Sat Sep 16 17:06:56 1995Received: from post-office.nevada.edu (root@post-office.nevada.edu [131.216.1.11]) by mailhost.tcs.tulane.edu (8.6.12/8.5) with ESMTP id MAA10866; Sat, 16 Sep 1995 12:06:52 -0500Received: from bugsy.aa.ans.net (root@bugsy.aa.ans.net [198.83.21.9]) by post-office.nevada.edu (8.6.12/8.6.4) with ESMTP id KAA11397 for ; Sat, 16 Sep 1995 10:06:52 -0700Received: from [198.83.21.155] (jes.aa.ans.net [198.83.21.155]) by bugsy.aa.ans.net (8.6.12/8.6.12) with SMTP id NAA116442; Sat, 16 Sep 1995 13:06:40 -0400X-Sender: jes@noc.ans.net (Unverified)Message-Id: Mime-Version: 1.0Content-Type: text/plain; charset="us-ascii"Date: Sat, 16 Sep 1995 13:09:14 -0500To: guitar@nevada.eduFrom: jes@noc.ans.net (Jason Sonnenschein)Subject: Phish Junta_Album.tab Part3Cc: jes@noc.ans.netStatus: OI take no credit for the following tab, I found it at a Phish Web siteGolgi ApparatusFrom: Jonah.David.Seiger@um.cc.umich.eduFrom: Eric Berman (ericbe@microsoft.com)Click here for the lyrics page for this song.Hello everyone, I was bored yesterday afternoon, so I decided to transcribethe music to Golgi. I am pretty sure that this is correct, but if you find amistake or know a better way to play this, please let me know. Also, I havegiven the chord formations for those of you how may not know how to fretsome of these notes.Golgi Apparatus: music notation for guitar w/lyrics from the "lyrics file"(chords are placed over lyrics for emphasis, but the rhythm is obviouslymuch more complex)F+ G G G I look into the finance box just to check my statusC/G(status) G G G GI look into the microscope, See a Golgi ApparatusGm7(I) -> Am7 -> Fm7 -> Gm7(II) (SEE BELOW FOR CHORD FORMATIONS) Eb F BbGolgi, oh, woe is me Eb F BbYou can`t even see the seaEb F BbGolgi, olgi, ho ooo olgiGolgi C9 -> C9 -> D9 G G G G GThey call him lysasome `Cause he runs so fastRuns like a junkyard dog with a brain of brassGm7(I) -> Am7 -> Fm7 -> Gm7(II) (SEE BELOW FOR CHORD FORMATIONS) Eb F BbGolgi, oh, woe is me Eb F BbYou can`t even see the seaEb F BbGolgi, olgi, ho ooo olgiGolgi C9 -> C9 -> D9CHORUS:*G G7I saw you... (x3)C C/FWith a ticket stub in your handG GI saw you.... F--->----->---------->------------>------- (pedal on E string)Under the light, middle of the night, couldn`t get it wrong...(REPEAT CHORUS)So I had to..... (and into Trey`s most excellent solo.... tablaturefollow)Chord Forms:(intro) (See a Golgi Appa...) (Golgi woe) (before chorus) F+ Gm7(I) Gm7(II) Am7 Eb F Bb C9 C9 D9E--x-------10-----3-------5-----x------6---3----4----5B--7-------11-----3-------5-----8--10--6---3----4----5G--7-------10-----3-------5-----8--10--7---3----4----5D--8-------12-----3-------5-----8--10--8---2----3----4A--9-------10-----x-------x-----6--8---8---3----4----5E--x-------x------x-------x------------6------------------------------------------------------------------------------------------Golgi SoloFrom: Jonah.Seiger@um.cc.umich.eduFrom: mdbruce@leland.Stanford.EDU (Michael David Bruce)---> A few things for those who are not totally familiar with guitartablature notation:Tablature cannot convey precise information about timing and the duration ofnotes. Nor does it help you to understand harmonic structure. BUT, it isvery helpful for those like me who are not totally comfortable reading andwriting in music notation.I hope that you can at least get the drift of Trey`s brilliant piece ofguitar playing from the notation below. I suggest you listen to the songwhile reading/playing this for the first time. Pretty soon you`ll get itThe first thing that you *should* know about the golgi solo part is that itis *not* in a straight (i.e multiple of 4) time signature--count it out!!There are 15 beats per phrase (where you would expect 16). It doesn`t matterhow you do it, but I find three 4/4 measures and one 3/4 measureconvienient.For the 1st part of the solo (starting @ 1:25), play:Beats:(* = downbeat) * ^ ^ ^ * ^ ^ ^ * ^ ^ ^ * ^ ^E|------------------------------------|B|--3--3-4-6-66-4-3---1->>6-4-3-4-6-4-|G|--3--3-3-3-33-3-3---1---------------|D|--3--3-5-3-33-5-3---1----------3--5-|A|------------------------------------|E|------------------------------------| ^^^^This little thingy is *very* important, IMHO. Trey does it quite a bit inhis playing. i.e. rather than just playing two notes consecutively, hesticks another note in there (cf. The divided sky slow part). They`re notalways that easy to hear, but without them, the music loses its feel, it`scolor--everything. This is what makes it interesting.The second half of the solo is the same thing with everything jacked up 2frets (i.e. now in the key of C rather than Bb).Above is for 4 repetitions, then go up two frets: * ^ ^ ^ * ^ ^ ^ * ^ ^ ^ * ^ ^E|------------------------------------|B|--5--5-6-8-88-6-5---3->>8-6-5-6-8-6-|G|--5--5-5-5-55-5-5---3---------------|D|--5--5-7-5-55-7-5---3----------5--7-|A|------------------------------------|E|------------------------------------|Above repeats 3 times, and the fourth is played differently:E|------------------------------------------|B|--5--5-6-8-88-6-5--->>8-6-4-6-8-9-11>>>13-|G|--5--5-5-5-55-5-5---3---------------------|D|--5--5-7-5-55-7-5---3----------------5--7-|A|------------------------------------------|E|------------------------------------------|NOTE: numbers directly above one another (like 5/5/5 above) are played atthe SAME TIME; numbers that are not directly above one another (likeB/5...G/7 above) are played in succession.AND THIS LEADS INTO THE SOLO....E|------------------------------------------------------------------B|-13-11->>9-9--11>>13-11-9-8-8-8^^9-11-9---------------------------|G|-------------8------------------------------11-8--11-10-9-8---10-13D|-------------------------------------------------9---------9-11----|A|-------------------------------------------------------------------|E|-------------------------------------------------------------------|E|---------------------------------------------------------------|B|-11-9>>7-7--9>>11-9-7-6-6-6^^7-9-7-----------------------------|G|-----------6-------------------------9-6--9-8-7-6---8---11>>>--|D|-----------------------------------------7-------7-9-----------|A|---------------------------------------------------------------|E|---------------------------------------------------------------|E|----------------------------------------------------------------|B|-9-7>>5-5--7>>9-7-5>4-4-4^^5-7-5--------------------------------|G|----------4-----------------------7-4--7-6-5-4-----6-9>>>-------|D|--------------------------------------5--------5-7--------------|A|----------------------------------------------------------------|E|----------------------------------------------------------------|E|---------------------------------------------------------------|B|-7-5>>3-3--5>>7-5-3>2-2-2^^3-5-3-------------------------------|G|----------2----------------------5-2--5-4-3-2-----4-7>---------|D|-------------------------------------3--------3--5-------------|A|---------------------------------------------------------------|E|---------------------------------------------------------------|And then back to: * ^ ^ ^ * ^ ^ ^ * ^ ^ ^ * ^ ^E|------------------------------------|B|--5--5-6-8-88-6-5---3->>8-6-5-6-8-6-|G|--5--5-5-5-55-5-5---3---------------|D|--5--5-7-5-55-7-5---3----------5--7-|A|------------------------------------|E|------------------------------------|Four times through.After the solo (which I won`t repost), you go back to that main riff above(here again, it`s two frets up--in C) and then suddenly, you chop it offright after the end of measure three and play:A ^ ^ ^ A ^ ^ ^ Asus4 ^ ^ ^ Asus4 ^ ^ ^over and over again, until it feels just right. And of course, if you`rephish, you change your volumes, lie down, jump up and down, play dittiesover that and so on. Then for that fantastic glorious build, you playF ^ Eb ^ D ^ Eb ^ F ^ Eb ^ D ^ Eb ^ F ^ G ^ A ^ Bb ^ C ^ C ^ D!!!!!!!!And back to the chorus. All of these are played with the D-shaped chord andthen slid up and down the fretboard starting at fret 5. Play around with it.Of course, I have seen Trey use the A-shaped chord as a substitute for thefirst coupla bars. Depends on what you`ve been doing just prior to that. Thebeauty is that with improvisational music, nothing is set in stone.NOTES:1) I have done my best to show the timing of the notes, but the rhythm isdifficult to convey in tablature. You`re going to have to listen to the songto get the time.2) A ">" or a ">>" means that the previous note "slides" up to the next... A" ^^ " means that the note is "hammered"3) The numbers correspond to the FRET on which that particular STRING isplayed----------------------------------------------------------------------------SanityFrom: David Douglas McCallum (kcjonz@wam.umd.edu)Click here for the lyrics page for this song.A ESanity never came my way. (Came his way)A ESanity never came my way. (His way) A EI don`t know what I`ll do today. (Way) A E`Cause sanity never came my way.A ELost my mind just a couple of times. (Lost his mind)A ELost my mind just a couple of times. (His mind) A EYou can spend your nickels, you can spend your dimes. (Mind) A Em7 (dirty) Bm7But I lost my mind just a couple of times.Em7 Bm7 Em7 Bm7 Em7 F C D EThen the little single-note phrase:B Bb A G G E C B E B EThe same pattern continues for the other verses...----------------------------------------------------------------------------You Enjoy MyselfFrom: Eric Berman (ericbe@microsoft.com)Click here for the lyrics page for this song.The intro to this song has just a ton of chord arpeggios that would be toomuch work to tab out. For the sake of simplicity, I`ll use "^" to mean"upward arpeggio" and "v" to mean "downward arpeggio". Of course, Trey beingTrey, half of the arpeggios start out in one direction and finish in theother. I`ll leave the direction designation off of these.Many of these arpeggios go across 6 strings, so get your fingers stretchedout! For example, the Gm^ arpeggio near the start of the song is played likethis (the fingerings that I use are written underneath): Gm^E|----------------10--B|-------------11-----G|----------12--------D|-------12-----------A|----13--------------E|-15----------------- 4 2 1 3 2 1The rest of the arpeggios are left as an exercise to the reader.(Sorry).Anyhow, enough chatter. Here`s the chords/tab:Intro: Bbmaj7 H H P HE|---------------------------------------------------13--------|B|----------------15-15---------------------------15----15-----|G|-------------15-------15---------------------15----------15--| etc.D|-------12-15------------15-12----------12-15-----------------|A|-12-13------------------------13-12-13-----------------------|E|-------------------------------------------------------------|(Pause for 2 measures, then rake strings just before starting...)Gm^ Cv F^ Cv Eb^ Gm C^ Eb Bb^ F C^ Ebv Bb^ CvGm^ Cv F^ Bbv Eb^ Am7b5 D(2x) Eb/G(2x) D Gm Eb/G Am7b5 D(2x) G Am BmE|----------15-----------------17----------------19------------|B|-------15----15-----------17----17----------19----19---------|G|----16----------16-----17----------17----19----------19------|D|-17-----------------19----------------21---------------------|A|-------------------------------------------------------------|E|-------------------------------------------------------------| C Eb Gm/D P P P PE|-------15-20-15-----18-15----18-15-----18-15----18-15--------|B|----17----------17--------16-------16--------15-------15-----|G|-17----------------------------------------------------------|D|-----------

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