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Тексты песен Lucksmiths, The

Lucksmiths, The - The Winter Proper
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Lucksmiths, The - Honey Honey Honey
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Lucksmiths, The - After The After Party
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Lucksmiths, The - Moving
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Lucksmiths, The - A Little Distraction
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Lucksmiths, The - Successlessness
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Lucksmiths, The - Transpontine
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Lucksmiths, The - Mars
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Lucksmiths, The - Welcome Home
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Lucksmiths, The - Goodness Gracious
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Lucksmiths, The - Friendless Summer
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Lucksmiths, The - Even Stevens
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Lucksmiths, The - Tmrw Vs Y`Day
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Lucksmiths, The - T-Shirt Weather
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Lucksmiths, The - I Prefer The Twentieth Century
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Информация о артисте

Australian indie pop trio the Lucksmiths teamed singer/percussionist Tali White, guitarist Marty Donald, and bassist Mark Monnone, longtime school friends who initially bonded over their mutual admiration for the Smiths. After going their separate ways to attend university and travel, the threesome reconvened in their native Melbourne in early 1993, playing their debut gig that April opening for the Sugargliders. The Lucksmiths' debut tape was soon released, and in 1994 the group resurfaced with an EP, Boondoggle. After signing with the local Candle imprint, the Lucksmiths released their first CD effort, The Green Bicycle Case. What Bird Is That? followed a year later, and in 1997 the band made its American debut with the single "The Invention of Ordinary Everyday Things," released via the small Michigan label Drive-In Records. Following the release of the 1998 full-length A Good Kind of Nervous, the Lucksmiths played a handful of European dates in support of Belle & Sebastian, a frequent reference point not only in light of the Lucksmiths' wispy folk-pop sound but also their self-effacingly witty lyrics.

At a subsequent gig, Monnone survived a near-fatal on-stage electrocution, and the road-weary trio rounded out the year with the release of a new single, "Untidy Towns." While White spent the next several years living in London, the Lucksmiths toured and recorded only sporadically, cutting a handful of tracks in such far-flung destinations as Washington, D.C., and Paris. Both the Happy Secret collection and the Staring at the Sky 10" appeared in 1999, with the superb "T-Shirt Weather" single and the tongue-in-cheek "Greatest Hits" cassingle following a year later. The outstanding Why That Doesn't Surprise Me, the Lucksmiths' first full-length studio record in close to four years, was issued in early 2001. They released a record every couple years after that with Naturaliste in 2003 and Warmer Corners in 2005, and continued touring the world. (During this time White also formed the Guild League, releasing Private Transport in 2002 and Inner North in 2004.) Before the recording of Warmer Corners, the band added a second guitarist to the lineup. Louis Richter played and sang on that record and also on the follow-up First Frost, which was released on Matinée in late 2008.
http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:j9fwxq9jldfe~T1 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
The Lucksmiths were an influential indiepop band from Melbourne, Australia which formed in 1993. The members are Martin 'Marty' Donald (Guitar), Taliesyn 'Tali' White (Vocals, Drums), and Mark 'Marky' Monnone (Bass) and in 2004 they acquired Mid State Orange's guitarist Louis Richter on second guitar. Whilst originating from beach-side Melbourne, the original three members of The Lucksmiths moved to inner Melbourne and fell in love with its charms. The songs Under the Rotunda, The Cassingle Revival and Tmrw Vs Y'Day all demonstrate as much. In the early 90's, they met Chris Crouch who had founded Candle Records. Crouch consequently began releasing their records, and they began to play the Melbourne indie circuit, most notably the Punters Club. This venue clearly holds a special place in The Lucksmiths' history as seen in the song Requiem for the Punters Club, written after its conversion to hipster bar Bimbos. While the others still reside in various inner Melbourne suburbs, Mark now lives in coastal Tasmania. This has not harmed the quality of The Lucksmiths' work nor is it a reflection of intra-band tension.

The Lucksmiths are noted for their simple melodies rich in humour and ironic verse. The majority of songs are written by Marty Donald. Although, both Tali White and Mark Monnone have written some of the band's finest songs. Many of their lyrics are based on the eccentricities of the everyday. Several songs also deal with the more usual pop-song issues of romance in relationships, but in a unique, gentle and easy-to-relate-to way.

There is also a persistent theme of Melbourne culture, most notably that of the inner city, as seen in frequent references to Melburnian placenames and themes. For examples, see the song The Sandringham Line, and many others. The Lucksmiths are also renowned for their creative use of language. English idioms and proverbs are referred to, played with and utilised to create poetically spontaneous verse. The songs virtually define clever lyricism. Whilst many of the idioms and references are distinctly Australian, their coupling of fantastic narrative lyrics with melody makes them so internationally accessible. Further, their songs almost always maintain a solid narrative with sensible and relevant choruses. When the narrative is abandoned, it is with good cause and in support of a more simple point (see T-Shirt Weather).

Marty Donald's lyrics in particular are filled with wordplay and puns, in particular the device of twisting a common phrase or cliché. In Frisbee, he says "that was the winter of my discount tent". "The Chapter In Your Life Entitled San Francisco" refers to "the non-specific northwest". Untidy Towns says "I got some mail I didn't open / It's an unread-letter day". Sometimes this can go a bit overboard, as in 'Synchronized Sinking', which contains the lines "why don't you let go of your boy and see / You've lost none of your bouyancy"; but that song also contains "Silhouetted in the smoke / From the shipwrecks at the bar / of the Anchor and Hope", which is, what many would refer to as poetic and skillful use of the English language.

Their musical setup, however, remains unusual and refreshing in a world of drum machines, synthesisers, and other elaborate gear. Tali sings and plays a minimal drum kit standing up at the front of the stage, with Marty to his right, Mark to his left, and Louis behind. This is often seen as a novelty, but nonetheless works perfectly, with their live performances being incredibly tight.

The Lucksmiths have been critically associated with indiepop, anti-folk and retro-pop. However, the band and their fans would consider The Lucksmiths as simply a pop band. This is a much fairer (and accurate) assessment.

In 2009 the band announced their breakup, with their final shows played in August.

Discography

Albums:
* First Tape (1993)
* The Green Bicycle Case (1995)
* What Bird Is That? (1996)
* A Good Kind Of Nervous (1997)
* Happy Secret (1999)
* Why That Doesn't Surprise Me (2001)
* Where Were We? (2002)
* Naturaliste (2003)
* Warmer Corners (2005)
* First Frost (2008)

EPs:
* Boondoggle (1994)
* Staring At The Sky (1999)
* A Little Distraction (2003)
* The Chapter In Your Life Entitled San Francisco (2005)
* A Hiccup In Your Happiness (2006)

Cassingles:
* Greatest Hits (?) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.