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Тексты песен Estradasphere
Информация о артисте
Estradasphere сформировались в Санта Круз, Калифорния в 1999 году. Первые три студийных альбома были выпущены на Trey Spruance's (Mr. Bungle) Mimicry Records. В Estradasphere 6 участников: Timb Harris (скрипка/труба), Jason Schimmel (гитара/банджо/клавиатура/вокал), Tim Smolens (вертикальный и электрический бас/вокал), Kevin Kmetz (Tsugaru Shamisen/гитара/клавиатура), Adam Stacey (аккордеон/клавиатура/clavinet), and Lee Smith (барабаны/ударные). Последний альбом Estradasphere - Palace of Mirrors, отмечает их первый релиз на New York-based The End Records, определивший группу к множеству самых эклектичных банд рока и металла.
По слухам - любимая банда Майка Паттона (из тех, где он не принимал непосредственного участия :). Некоторые аналогии с Mr. Bungle прослеживаются, о чем, собственно, и пишет AMG. Группа просто крышесбивочная - аранжировки не хуже Запповских, ядерная смесь из сёрфа, джаза, блэкметалла, сальсы, балкано-еврейских мотивов и даже музыки из видео-игр.
Unmistakably derived from the genre-bending loins of experimental rockers Mr. Bungle and Secret Chiefs 3, Estradasphere respectfully lives up to the ambitious musical aims of their wildly talented mentors. Tim Harris, violin and trumpet, Dave Murray, drums, Jason Schimmel, guitar and banjo, bassist Tim Smolens, and John Wooley, saxophone, met in the late '90s at the U.C.-Santa Cruz school of music, where they shared an interest in the tackiest aspects of pop culture and the most excessive forms of music.
Their first album, It's Understood, appeared with next to no commercial fanfare in the spring of 2000 as the first release on Mr. Bungle guitarist Trey Spruance's homespun label Mimicry Records. Their hectic mix of jazz, metal, video game themes, and bluegrass was eaten up by hardcore Mr. Bungle fans, but went largely unnoticed elsewhere. With instrumentation resembling Bela Fleck and the Flecktones, Estradasphere doesn't always evoke immediate sonic comparisons to Mr. Bungle, but their manic, short-attention-span philosophy of composition ostensibly does. Drawing on influences all over the musical spectrum, often within the same song, Estradasphere amply demonstrates the breadth of their technical musical talent on a song-by-song basis. Although their first album doesn't demonstrate the concision of Mr. Bungle or Secret Chiefs 3, it stretches out as an impressive musical landscape for such a young set of musicians.
Accompanied onstage by a collection of Bohemian artists, ranging from fire-breathers to book-readers, Estradasphere exudes an overabundance of youthful energy and creativity, which, with a decent amount of publicity, could eventually grant them a solid underground following.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
По слухам - любимая банда Майка Паттона (из тех, где он не принимал непосредственного участия :). Некоторые аналогии с Mr. Bungle прослеживаются, о чем, собственно, и пишет AMG. Группа просто крышесбивочная - аранжировки не хуже Запповских, ядерная смесь из сёрфа, джаза, блэкметалла, сальсы, балкано-еврейских мотивов и даже музыки из видео-игр.
Unmistakably derived from the genre-bending loins of experimental rockers Mr. Bungle and Secret Chiefs 3, Estradasphere respectfully lives up to the ambitious musical aims of their wildly talented mentors. Tim Harris, violin and trumpet, Dave Murray, drums, Jason Schimmel, guitar and banjo, bassist Tim Smolens, and John Wooley, saxophone, met in the late '90s at the U.C.-Santa Cruz school of music, where they shared an interest in the tackiest aspects of pop culture and the most excessive forms of music.
Their first album, It's Understood, appeared with next to no commercial fanfare in the spring of 2000 as the first release on Mr. Bungle guitarist Trey Spruance's homespun label Mimicry Records. Their hectic mix of jazz, metal, video game themes, and bluegrass was eaten up by hardcore Mr. Bungle fans, but went largely unnoticed elsewhere. With instrumentation resembling Bela Fleck and the Flecktones, Estradasphere doesn't always evoke immediate sonic comparisons to Mr. Bungle, but their manic, short-attention-span philosophy of composition ostensibly does. Drawing on influences all over the musical spectrum, often within the same song, Estradasphere amply demonstrates the breadth of their technical musical talent on a song-by-song basis. Although their first album doesn't demonstrate the concision of Mr. Bungle or Secret Chiefs 3, it stretches out as an impressive musical landscape for such a young set of musicians.
Accompanied onstage by a collection of Bohemian artists, ranging from fire-breathers to book-readers, Estradasphere exudes an overabundance of youthful energy and creativity, which, with a decent amount of publicity, could eventually grant them a solid underground following.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Estradasphere, formed in Santa Cruz, California in 1998, make music with an approach that blurs the lines between traditional and experimental forms with a provocative mix of composition and improvisation. The members are Timb Harris (violin/trumpet), Jason Schimmel (guitar/banjo/keyboards/vocals), Tim Smolens (upright and electric bass/vocals), Kevin Kmetz (Tsugaru Shamisen/guitar/keyboards), Adam Stacey (accordion/keyboards/clavinet), and Lee Smith (drums/percussion).
These accomplished musicians blend and contrast styles in compelling and sometimes shocking ways. Their art is not an experiment. It is passionate and alive because of their deep understanding and mastery of the individual styles of music they play. Estradasphere's music is cerebral, vibrant, and daringly playful.
The Estradasphere experience includes passion, humor, and at times, awe-inspiring brilliance. Their music is complex yet inviting, seducing the listener across time, space, and genre.
Estradasphere shows are intensely dynamic: outrageous yet introspective, tongue-in-cheek yet sincere. Every show is unique, never ceasing to stir excitement and challenge the audience's expectations.
They continue to expand their performance experience, appearing at nightclubs, festivals, universities, symphony halls, theaters, and even circuses. Currently based out of Seattle, WA.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
These accomplished musicians blend and contrast styles in compelling and sometimes shocking ways. Their art is not an experiment. It is passionate and alive because of their deep understanding and mastery of the individual styles of music they play. Estradasphere's music is cerebral, vibrant, and daringly playful.
The Estradasphere experience includes passion, humor, and at times, awe-inspiring brilliance. Their music is complex yet inviting, seducing the listener across time, space, and genre.
Estradasphere shows are intensely dynamic: outrageous yet introspective, tongue-in-cheek yet sincere. Every show is unique, never ceasing to stir excitement and challenge the audience's expectations.
They continue to expand their performance experience, appearing at nightclubs, festivals, universities, symphony halls, theaters, and even circuses. Currently based out of Seattle, WA.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.