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Тексты песен Zizzi Possi
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Zizi Possi opened different paths during her career. She had her first hit with an MPB tune ("Pedaço de Mim" by Chico Buarque) and then with a series of pop ballads during the '80s; but finally in the '90s, she found her way with a repertory of classics of Brazilian music in highly polished acoustic renditions. There are variations apply, as in Per Amore, which is completely devoted to Italian romantic songs (sung in the original idiom).
Singing alone since she was a child, Possi started to take piano classes at five. At 20, she abandoned the strong composition program at the State University of Bahia and started working as an actress in a musical when she discovered herself as a singer. In 1978, she left for Rio, where she was invited by Roberto Menescal to record (at the time he was Polygram's A&R) her first album (Flor do Mal). Possi' first hit was the title track of the second album, Pedaço de Mim (Chico Buarque), from Buarque's musical +A Ópera do Malandro, in which she participated that same year. In the '80s, Possi expanded her pop repertory at the expenses of MPB, having success with "Asa Morena" (Zé Caradípia, 1982). Other hits of that decade were "Perigo" (Nico Resende/Paulinho Lima, 1986), "A Paz" (Gilberto Gil/João Donato, 1987); "É A Vida Que Diz" (Marina), and "O Amor Vem Pra Cada Um" (a version for "Love Comes to Everyone" by George Harrison). The LP Estrebucha Baby (1989) represented a different, almost experimental phase, being the first time that "Meu Erro" (Herbert Vianna) was recorded not as rock or pop (as it was written), but as a densely interpreted song, which worked as an endorsement for a genre that was being incorporated into MPB under mixed feelings.
In 1990, the show Sobre Todas As Coisas (piano/voice/percussion) represented the finding of an internal coherence after taking different paths. Rewarded by the success enjoyed during the tour, she accepted Marcos Suzano's suggestion of incorporating Lui Coimbra's cello, recording the album Sobre Todas As Coisas (1991). The esthetics of an acoustic sound and the classics of Brazilian music were paid even further tribute on Valsa Brasileira (1993) and on her subsequent albums. Valsa Brasileira had two hits, "Bom Dia" (Swami Jr./ Paulo Freire) and "Lamento" (Pixinguinha). ~ Alvaro Neder, All Music Guide Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Singing alone since she was a child, Possi started to take piano classes at five. At 20, she abandoned the strong composition program at the State University of Bahia and started working as an actress in a musical when she discovered herself as a singer. In 1978, she left for Rio, where she was invited by Roberto Menescal to record (at the time he was Polygram's A&R) her first album (Flor do Mal). Possi' first hit was the title track of the second album, Pedaço de Mim (Chico Buarque), from Buarque's musical +A Ópera do Malandro, in which she participated that same year. In the '80s, Possi expanded her pop repertory at the expenses of MPB, having success with "Asa Morena" (Zé Caradípia, 1982). Other hits of that decade were "Perigo" (Nico Resende/Paulinho Lima, 1986), "A Paz" (Gilberto Gil/João Donato, 1987); "É A Vida Que Diz" (Marina), and "O Amor Vem Pra Cada Um" (a version for "Love Comes to Everyone" by George Harrison). The LP Estrebucha Baby (1989) represented a different, almost experimental phase, being the first time that "Meu Erro" (Herbert Vianna) was recorded not as rock or pop (as it was written), but as a densely interpreted song, which worked as an endorsement for a genre that was being incorporated into MPB under mixed feelings.
In 1990, the show Sobre Todas As Coisas (piano/voice/percussion) represented the finding of an internal coherence after taking different paths. Rewarded by the success enjoyed during the tour, she accepted Marcos Suzano's suggestion of incorporating Lui Coimbra's cello, recording the album Sobre Todas As Coisas (1991). The esthetics of an acoustic sound and the classics of Brazilian music were paid even further tribute on Valsa Brasileira (1993) and on her subsequent albums. Valsa Brasileira had two hits, "Bom Dia" (Swami Jr./ Paulo Freire) and "Lamento" (Pixinguinha). ~ Alvaro Neder, All Music Guide Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
A native of São Paulo, Zizi Possi (born as Maria Izildinha Possi in Mar, 28 1956) began learning to play the piano and to sing in her childhood, and later went on to Salvador to study composition and regency. She failed to graduate and, along with her brother, became involved in theater, where she discovered her talent for musicals. She recorded several jingles, and then moved to Rio de Janeiro, where she met Roberto Menescal, the producer who brought her to Polygram. It was with Polygram that she launched her career as a professional singer, recording several discs and appearing on a 1978 Chico Buarque album singing "Pedaço de Mim", her first hit. Her interpretation of "Nunca" (Lupicínio Rodrigues), "Meu Amigo, Meu Herói" (Gilberto Gil), "Asa Morena" (Zé Caradípia) and "Perigo" (Nico Rezende/ Paulinho Lima) granted her a distinguished position within BPM .
She left Polygram in 1990, moved to São Paulo and decided to dedicate herself to a less commercial repertoire than that demanded by her former record label. She put together the show "Sobre Todas as Coisas", backed up by Marcos Suzano (percussion) and Lui Coimbra (violin-cello), with whom she toured Brazil. The show was later recorded by the label Eldorado. In 1993, "Valsa Brasileira", with its slick repertoire and expert technical back-up, was released by the label Velas and helped to put her up amongst the leading names on the MPB scene. In 1997, she recorded "Per Amore" – which was a commercial sensation, with its sales boosted by the title track. The following year, she released "Passione", an album Italian songs, only. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
She left Polygram in 1990, moved to São Paulo and decided to dedicate herself to a less commercial repertoire than that demanded by her former record label. She put together the show "Sobre Todas as Coisas", backed up by Marcos Suzano (percussion) and Lui Coimbra (violin-cello), with whom she toured Brazil. The show was later recorded by the label Eldorado. In 1993, "Valsa Brasileira", with its slick repertoire and expert technical back-up, was released by the label Velas and helped to put her up amongst the leading names on the MPB scene. In 1997, she recorded "Per Amore" – which was a commercial sensation, with its sales boosted by the title track. The following year, she released "Passione", an album Italian songs, only. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.