Уэсли Уиллис – художник, музыкант. Уэсли отсайдер, у него диагноз шизофрения. Он попал в культ благодаря нескольким сотням уникальных композиций. Его простоя музыка основывается на юморе и лирике замешанной на потоке сознания. Уэсли здоровяк, при двух метровом росте он весил 160 кг.
В 1989 году он начал слышать. А слышать он начал «демонический голос», так он сам его называл, за что и получил свой замечательный диагноз.
В 1992 году он нашумел на городской альтернативной рок сцене в составе хард-рок группы The Wesley Willis Fiasco. Но никто его не воспринял всерьёз.
В 1994 он записался с канадской идастрал-метал группой Monster Voodoo Machine.
Уэсли попал в культ, в культ Уиллиса. Одной из культовых вещей Уиллиса была шишка на лбу, что служила товарным знаком музыканта.
После распада группы The Wesley Willis Fiasco, он получил настоящую славу, славу сольного исполнителя.
В 2003 году, в год смерти Уэсли от лейкемии, Daniel Bitton снял про него фильм «Папаша Рок-н-ролла». За всю жизнь Уэсли написал около тысячи песен, стиль которых узнаваем и многократно перенимается современными группами и исполнителями.
А вот его дискография, на деньги от которой он благополучно и существовал:
1993 Radiohead
1994 Double Door
1994 Machine Gun Kelly
1994 Mr. Magoo Goes to Jail
1994 Prisonshake
1994 Rev Norb
1994 Rev Norb #2
1995 Atomic Records
1995 Delilah's
1995 Drag Disharmony Hellride
1995 Fireman Rick
1995 Jason Rau
1995 Rock Power
1995 Tammy Smith
1995 Dr. Wax
1995 Wesley Willis (Fuse Records)
1995 Daren Hacker (Wesley Willis Records)
1995 Wesley Willis (Alternative Tentacles)
1996 Spookydisharmoniusconflicthellride (with the Wesley Willis Fiasco) (Urban Legends Records)
1996 Mr. Magoo Goes to Jail Vol. 1
1996 Mr. Magoo Goes to Jail Vol. 2
1996 Mr. Magoo Goes to Jail Vol. 3
1996 New York New York
1996 Fabian Road Warrior (American Recordings)
1996 Feel The Power (American Recordings)
1996 Rock 'N' Roll Will Never Die (Oglio Records)
1996 Black Light Diner
1997 Metal Clink Punishment Jail
1997 QUT Music Grads Rock Out Man
1998 Rock 'N' Roll Jackflash
1998 SMD Promotions
1999 Dead End Street
1999 Greatest Hits Vol. 2 (Alternative Tentacles)
1999 Silver Fish Sea World
2000 Guitar Rock of Ages
2000 Shake Your Piggy Bank (Coldfront Records)
2000 Joe Hunter (Wesley Willis Records)
2000 Joe Hunter #2
2000 Never Kill an Ape (Wesley Willis Records)
2000 Rush Hour (Alternative Tentacles)
2001 ASCAP
2001 Fool's Gold
2001 Torture Demon Hellride
2001 Full Heavy Metal Jacket
2001 Live EP (with the Wesley Willis Fiasco) (Cornerstone R.A.S.)
2001 North Carolina Highway Patrol (Wesley Willis Records)
2003 Greatest Hits Vol. 3 (Alternative Tentacles)
2003 The Daddy of Rock 'N' Roll (DVD) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Wesley Willis (May 31, 1963 – August 21, 2003) was a 6-foot-6-inch tall, 350 lb. African-American musician from Chicago, Illinois and a diagnosed schizophrenic who gained a rather large underground following in the 1990s after releasing several hundred songs of bizarre and simplistic music which became internet phenomena during the early days of P2P file sharing.
Willis and his siblings spent most of their childhoods in various foster homes. In 1989, Willis began hearing "demon voices" and was diagnosed with schizophrenia. He often mentioned that his demons were named "Heartbreaker," "Nervewrecker," and "Meansucker". He called his psychotic episodes "hell rides". Alternatively, rock-and-roll was "the joy ride music" and Willis often indicated that listening to and performing music helped him battle the voices.
In the early 1990s, Willis became creatively active, selling marker drawings of the Chicago cityscape on the street. Some of the drawings would later appear on the covers of his albums. In 1992, Willis joined musicians from the city's alternative rock scene to form the hard rock band, The Wesley Willis Fiasco, which produced such future file sharing favorites as "Jesus is the Answer" and "Casper the Homosexual Friendly Ghost". Although few took him seriously, Willis created a buzz in the Chicago music scene and soon caught the attention of American Recordings, a major record label.
Without his band, Willis was signed to the label in 1995 and went on to record two albums while producing dozens of other albums independently. He became a minor novelty rock sensation. He toured frequently, was profiled on MTV and was a guest on The Howard Stern Show on September 26, 1996 where he played nearly-identical songs about Baba Booey and Stern.
Some questioned the aesthetic taste of Willis' audience. Rock critic Will Robinson Sheff wrote that Willis’ "periodic appearances for crowds of jeering white fratboys evoke an uncomfortable combination of minstrel act and traveling freakshow." Others heralded Willis as a welcome punk respite from overproduced pop music and pretentious indie rock.
One of Willis' trademarks was headbutting with his fans. Typically when approached by a fan, Willis would gingerly hold his or her head between his hands and say, "Say rock!" The fan would respond as instructed and he would bump his head against his or hers. Then he would say, "Say roll!" and the fan would again respond as instructed and the two would again bump heads. Willis would repeat this over and over as long as the fan would tolerate it. The large bruise in the center of his forehead resulted from this habit.
On August 21, 2003, at the age of forty, Willis died due to complications from chronic myelogenous leukemia. At the time of his death, he had recorded over 1,000 songs but his total life savings were less than $300. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.