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Тексты песен Stina Nordenstam
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Stina всегда была странной маленькой девушкой, притягательность ее редко не граничит с тайной. Порой просто удивляет феномен ее неизвестности в музыкальном мире: каждый новый сингл - шедевр, слово, которое до нее в этот мир не бросал никто. Красота и неординарность - это недостаточно яркие определения ее таланта, и каждая новая вещь доказывает, что совсем необязательно заниматься музыкой ради сомнительного счастья известности или бешеных прибылей.
Цель Стины несомненно выше, это ясно при прослушивании ее четвертого альбома, который большей частью состоит из кавер-версий уже увидевших свет и достаточно популярных релизов Purple Rain, Sailing, People Are Strange. Но covers никоим образом не являются банальным повторением. Stina и ее коллеги полностью переаранжировали инструментальные партии и саму структуру песен. И песни зазвучали по-новому!
Песни словно обрели новую хозяйку в лице Стины, и вместе с тем они обрели новое значение. Основное настроение альбома - "а что если когда-то сбудется твой страх и ты очнешься совершенно чужим, ненужным этому миру покинутым странником?"
Сожаление, боль, томительное нечто - словно память об отцветшей любви. Хорошая тема ко Дню Святого Валентина - только дома наедине, естественно.. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Цель Стины несомненно выше, это ясно при прослушивании ее четвертого альбома, который большей частью состоит из кавер-версий уже увидевших свет и достаточно популярных релизов Purple Rain, Sailing, People Are Strange. Но covers никоим образом не являются банальным повторением. Stina и ее коллеги полностью переаранжировали инструментальные партии и саму структуру песен. И песни зазвучали по-новому!
Песни словно обрели новую хозяйку в лице Стины, и вместе с тем они обрели новое значение. Основное настроение альбома - "а что если когда-то сбудется твой страх и ты очнешься совершенно чужим, ненужным этому миру покинутым странником?"
Сожаление, боль, томительное нечто - словно память об отцветшей любви. Хорошая тема ко Дню Святого Валентина - только дома наедине, естественно.. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Stina Nordenstam (born Kristina Ulrika Nordenstam on 4 March 1969 in Stockholm, Sweden) is a Swedish singer, songwriter and musician.
In 1991, the year she released her first album Memories of a Colour, Nordenstam played at the Swedish parliament as part of the Year of Jazz. Her early work, including her second album, And She Closed Her Eyes, released in 1994, was significantly jazz-influenced, with only subtle elements of alternative rock. With 1997's Dynamite she started down a darker, more experimental path; most of the album was filled with processed, distorted electric guitars and unusual beats, but careful listening revealed her unique song-writing abilities.
An album of covers, People Are Strange, followed before she returned in 2001 with This Is Stina Nordenstam, an album with shorter songs and a more pop-like feel; ex-Suede vocalist Brett Anderson featured on two tracks. In 2003 Nordenstam appeared in a duet with Jonas Bjerre from Mew on Mew's third album Frengers, with a song called "Her Voice Is beyond Her Years". Between 2003 and 2004 she made the Swedish radio-theatre series called The Fears of the Ice, about one of the first polar expeditions.
Her 2004 album, The World Is Saved, continues the path set on This Is..., but presents a more realised sound and acknowledges her earlier jazz influences more.
In addition to being a musician, Nordenstam also works in other fields, such as photography and music-video directing.
Slightly reclusive, she gives very few interviews, rarely performs live and even alters her appearance using wigs and make-up for album covers and magazines. During the promotion for The World Is Saved, however, she gave more interviews than usual, and even talked about the possibility of future live performances.
In 2006, Nordenstam appeared on Snow Borne Sorrow, an album by the band Nine Horses, singing duets with the band's vocalist, David Sylvian. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
In 1991, the year she released her first album Memories of a Colour, Nordenstam played at the Swedish parliament as part of the Year of Jazz. Her early work, including her second album, And She Closed Her Eyes, released in 1994, was significantly jazz-influenced, with only subtle elements of alternative rock. With 1997's Dynamite she started down a darker, more experimental path; most of the album was filled with processed, distorted electric guitars and unusual beats, but careful listening revealed her unique song-writing abilities.
An album of covers, People Are Strange, followed before she returned in 2001 with This Is Stina Nordenstam, an album with shorter songs and a more pop-like feel; ex-Suede vocalist Brett Anderson featured on two tracks. In 2003 Nordenstam appeared in a duet with Jonas Bjerre from Mew on Mew's third album Frengers, with a song called "Her Voice Is beyond Her Years". Between 2003 and 2004 she made the Swedish radio-theatre series called The Fears of the Ice, about one of the first polar expeditions.
Her 2004 album, The World Is Saved, continues the path set on This Is..., but presents a more realised sound and acknowledges her earlier jazz influences more.
In addition to being a musician, Nordenstam also works in other fields, such as photography and music-video directing.
Slightly reclusive, she gives very few interviews, rarely performs live and even alters her appearance using wigs and make-up for album covers and magazines. During the promotion for The World Is Saved, however, she gave more interviews than usual, and even talked about the possibility of future live performances.
In 2006, Nordenstam appeared on Snow Borne Sorrow, an album by the band Nine Horses, singing duets with the band's vocalist, David Sylvian. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.