Dead Can Dance — австралийский музыкальный коллектив, состоящий главным образом из Брендана Перри (Brendan Perry) и Лайзы Джеррард (Lisa Gerrard). Группа основана в Мельбурне в 1981 году, распалась в 1998 году и воссоединилась для проведения мирового турне в 2005 году.
В Австралии группа не имела большого успеха и перебралась в Лондон, где подписала контракт с известным независимым лэйблом 4AD. Вскоре Dead Can Dance стали одной из самых успешных групп на 4AD. Сотрудничество Лайзы Джеррард и Брендана Перри продолжалось до 1998 года. После распада Джеррард вернулась в Австралию, а Перри перебрался в Ирландию, где купил здание старой церкви, в котором живёт и работает.
Отнести музыку группы к какому-либо стилю практически невозможно. Ранние работы имеют элементы пост-панка, более поздние — древней и этнической музыки мира. В целом же творчество группы можно отнести к инди-культуре.
Название "Dead Can Dance" (дословный перевод с английского: "Мёртвое может танцевать") означает возвращение жизни чему-то, бывшему мёртвым или неиспользованным. Музыкальные инструменты, используемые группой, являются или древними, или забытыми, или непривлекательными для большинства музыкантов. Другое значение названия — вдыхание жизни во что-то неодушевлённое.
Скорее всего название было придумано как обыгрывание термина готической культуры - "декаданс", поэтики упадка.
Официальный сайт группы: www.deadcandance.com
Dead Can Dance (Album) ◄ (6 versions) 4AD ... 1984
Garden Of The Arcane Delights (EP) ◄ (3 versions) 4AD ... 1984
Spleen And Ideal (Album) ◄ (16 versions) 4AD ... 1985
Dead Can Dance (Album, EP) ◄ (7 versions) 4AD ... 1986
Within The Realm Of A Dying Sun (Album) ◄ (14 versions) 4AD ... 1987
The Serpent's Egg (Album) ◄ (19 versions) 4AD ... 1988
Aion (Album) ◄ (14 versions) 4AD ... 1990
A Passage In Time (Album, Comp) ◄ (11 versions) 4AD ... 1991
Into The Labyrinth (Album) ◄ (15 versions) 4AD ... 1993
The Carnival Is Over (CD, Single, Promo) Warner Bros. Records 1993
The Host Of Seraphim (CD, Single, Promo, Dig) 4AD... 1993
The Ubiquitous Mr. Lovegrove (Single, Maxi) ◄ (3 versions) PolyGram ... 1993
American Dreaming (CD, Maxi, Promo) Warner Bros. Records 1994
Club Promo (12", Ltd, Promo, Cle) Rough Trade Germany 1994
Sanvean (CD, Maxi, Promo) Virgin France S.A. 1994
Toward The Within (Album) ◄ (15 versions) 4AD ... 1994
Untitled (CD, Promo) 4AD ... 1994
Untitled (5xCD, Promo + Box) 4AD... 1994
A Sampler (Cass, Promo) Warner Bros. Records 1996
Nierika (12", Promo, Red) 4AD... 1996
Sambatiki (CD, Maxi) 4AD... 1996
Spiritchaser (Album) ◄ (14 versions) 4AD ... 1996
The Snake And The Moon (Single, Maxi) ◄ (4 versions) PIAS Benelux ... 1996
1981-1998 ◄ (2 versions) 4AD ... 2001
Sampler (CD, Smplr, Promo, Single) 4AD... 2001
Wake (2xCD, Album) 4AD... 2003
DCD 2005 - 10th March - Ireland - Dublin (2xCD, Ltd) The Show 2005
DCD 2005 - 10th October - USA - Washington DC (2xCD, Ltd) The Show 2005
DCD 2005 - 12th March - Holland - The Hague (2xCD, Ltd) The Show 2005
DCD 2005 - 12th October - USA - Chicago (2xCD, Ltd) The Show 2005
DCD 2005 - 12th October - USA - Chicago (3xLP, Ltd) The Show 2005
DCD 2005 - 14th March - France - Paris (2xCD, Ltd) The Show 2005
DCD 2005 - 16th March - France - Lille (2xCD, Ltd) The Show 2005
DCD 2005 - 17th March - Belgium - Brussels (2xCD, Ltd) The Show 2005
DCD 2005 - 17th September - USA - Seattle (2xCD, Ltd) The Show 2005
DCD 2005 - 18th September - USA - Seattle (2xCD, Ltd) The Show 2005
DCD 2005 - 1st October - Canada - Toronto (2xCD, Ltd) The Show 2005
DCD 2005 - 21st March - Spain - Madrid (2xCD, Ltd) The Show 2005
DCD 2005 - 22nd March - Spain - Barçelona (2xCD, Ltd) The Show 2005
DCD 2005 - 24th March - Italy - Milan (2xCD, Ltd) The Show 2005
DCD 2005 - 26th March - Germany - Cologne (2xCD, Ltd) The Show 2005
DCD 2005 - 27th March - Germany - Munich - Philharmonie Im Gasteig München (2xCD, Ltd) The Show 2005
DCD 2005 - 4th October - Canada - Montreal (2xCD, Ltd) The Show 2005
DCD 2005 - 5th October - USA - Boston (2xCD, Ltd) The Show 2005
DCD 2005 - 6th April - England - London (2xCD, Ltd) The Show 2005
DCD 2005 - 7th April - England - London (2xCD, Ltd) The Show 2005
DCD 2005 - Selections From Europe 2005 (2xCD, Ltd, Comp) The Show 2005
DCD 2005 2nd October Canada: Montreal (2xCD, Ltd) The Show 2005
Memento: The Very Best Of Dead Can Dance (CD) Rhino Entertainment Company 2005
DCD 2005 - Selections From North America 2005 (2xCD) The Show 2006
SACD Box Set (Box, Ltd + 8xSACD, Album, RM + SACD, EP, RM) 4AD 2008
A Means Of Escape (File, MP3, 320) Not On Label (Brendan Perry Self-released) 2009
Dead Can Dance - Anastasis (Album) ◄ 2012
In Concert 2013 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Dead Can Dance was formed in Melbourne, Australia in 1981 by Brendan Perry together with Simon Monroe and Paul Erikson later to be joined by Lisa Gerrard. They disbanded in 1998, and temporarily reunited to do a highly successful world tour in 2005 with a view to recording another studio album together. In order to concentrate on their solo careers and due to ongoing personal differences between Perry and Gerrard, the project was, however, put on hiatus. In 2011 Perry announced work on a new album, which was released in 2012 followed by a world tour.
After a somewhat muted response to their music in Australia, Dead Can Dance moved to London in 1982, where they signed up to alternative rock label 4AD, a legendary label on the alternative music scene, where it became one of the most important bands on the label alongside the Cocteau Twins. They continued to work closely together, until later in the 1990s when they started to grow apart following the breakup of their personal relationship. Gerrard returned to Australia, while Perry moved to Ireland, where he had renovated an old church at Quivvy, where he lives and works. It is speculated that the distance between the members was an influence in the band's eventual break-up, with an argument following the recording sessions for an unreleased album being the final straw, although Perry himself said that distance helped in maintaining a certain individual freedom in creativity.
The name "Dead Can Dance" is often misleading. Although this group is quite popular among the goth sub-culture with the name appearing to be inspired by the Danse macabre allegory, it should instead be interpreted as 'giving life to something that was previously inanimate' as Perry said:
"The album artwork [of our self titled first album], a ritual mask from New Guinea, attempted to provide a visual reintrepretation of the meaning of the name "Dead Can Dance." The mask, though once a living part of a tree is dead; nevertheless it has, through the artistry of its maker, been imbued with a life force of its own. To understand why we chose the name, think of the transformation of inanimacy to animacy.... Think of the processes concerning life from death and death into life. So many people missed the inherent symbolism, and assumed that we must be 'morbid gothic types,' a mistake we deplored and deplore...".
Following the self titled album the band released the EP Garden of the Arcane Delights, which followed the template set by the first album but made more use of percussion, notably the Oriental dulcimer (Yang Qin), on tracks "Carnival of Light" and "Flowers of the Sea," which has since become a trademark sound in the genre.
A shift in sound followed for the Spleen and Ideal album, with more emphasis on strings, brass and drones being used. A quasi spiritual element also emerged on this album, notably on the opening tracks "De Profundis" and "Ascension". Its worth noting that around this time Lisa and Brendan had been doing tours of European Cathedrals, absorbing the ambience which in turn was reflected in the work.
The highlights of the bands career followed with the genre defining album Within The Realm of a Dying Sun, featuring fan favorite "Cantara", which is where the bands Arabic and World music influences began to appear, and the double whammy of "Summoning of the Muse" and "Persephone (The Gathering of Flowers)." Critics at the time were undecided about the album, mainly due to the fact that the pieces were split according to the vocals. Brendan had the first side of the album, where Lisa took over for the latter half.
The Serpent's Egg was the next album and built on the premise set by the previous album, although the album is slightly uneven in quality and a short listen at around 40 minutes. The album is redeemed by the opening and closing pieces "The Host of Seraphim", and Perry's epic "Ullyses".
For the next album Aion, the band slipped back several centuries and recreated working medieval instruments such as the Sackbut, Viol and Hurdy Gurdy for the distinctly Medieval flavor. Included on the album is "Song of the sibyl" a text from 14th century Spain and now a live favorite. Another text appears in the song "Fortune Presents Gifts Not According To The Book".
Into the Labyrinth was the follow up album and was the album that saw Brendan mastering the use of samples and synthesizers and also the album that brought the band's music to American audiences selling over a million copies worldwide. The track "The Ubiquitous Mr Lovegrove" was played across on college radio and was instrumental in the albums success.
Spiritchaser was the seventh studio album for the band and brought about an abrupt upturn in musical style, instead of drawing on the historical past the band drew upon South American and African influences which gave the album a very rhythmic ambience. Considered by some to be the bands weakest album, it features highlights such as the percussive "Nierika" which was the most played track on American college radio for that year, and the epic 9 minute trance inducing "Indus".
A 3 CD retrospective simply called 1981-1998 was issued by 4AD and compiled a comprehensive overview of the bands career, and provided diehard fans with the only finished track from the Spiritchaser follow-up sessions called "The Lotus Eaters".
As a live band is probably where Dead Can Dance have gained their reputation. To put it simply, they were phenomenal. The concerts often featured many improvised pieces that to date have never been recorded in the studio. A live album entitled Toward the Within was released in 1994 and allowed fans unfortunate enough to have not attended concerts the chance to hear a few of these songs. A companion video/DVD of the concert was also released allowing people to see these highly ethereal concerts.
After Dead Can Dance ceased to be a functioning band both Perry and Gerrard embarked upon solo careers. To date, Brendan has released one solo album The Eye of the Hunter and has completed work on a new album, 'Ark', to be released in June 2010, whilst Lisa has been more prolific but with mixed results, releasing two solo albums The Mirror Pool and The Silver Tree. Lisa has also collaborated with other artists, namely Pieter Bourke of the band Soma and Irish composer Patrick Cassidy on the respective albums Duality and Immortal Memory. Lisa has also become a sought after soundtrack artist too after a wave of publicity for the Ridley Scott film Gladiator and continues to release work on a regular basis including soundtrack work on Ali, Layer Cake, and Whale Rider. Peter Ulrich, former percussionist of the band has also released two solo albums, Pathways and Dawns and more recently, Enter the Mysterium.
A series of 31 reunion concerts took place in 2005 in both Europe and North America including two memorable sell out concerts at The Hollywood Bowl and Radio City accompanied by 40 piece orchestras. Many of these concerts were professionally recorded and released as a double CD.
In late 2011, the band announced a reunion World Tour, in order to promote their new album, fittingly titled Anastasis, as it was released on August 9, 2012, 16 years after the group's previous album. Anastasis was well received by critics and is also the first album of the band not released by 4AD Records.
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