Тексты песен Baccara

Baccara - Parlez-Vous Framcais?
29 дней назад 305 (не задано)
Baccara - Darling
29 дней назад 325 (не задано)
Baccara - Yes Sir, I Can Boogie
месяц назад 166 (не задано)
Baccara - Body Talk
11 дней назад 286 (не задано)
Baccara - Heart, Body And Soul
месяц назад 303 (не задано)
Baccara - Don`t Play Me A Symphony
месяц назад 300 (не задано)
Baccara - Number One
месяц назад 303 (не задано)
Baccara - Yes Sir I can boogie
25 дней назад 312 (не задано)
Baccara - Yes Sir, I Can Boogie
месяц назад 312 (не задано)
Baccara - Bady Talk
месяц назад 296 (не задано)
Baccara - By 1999
29 дней назад 294 (не задано)
Baccara - Cara Mia
месяц назад 333 (не задано)
Baccara - Women to Women
месяц назад 286 (не задано)

Информация о артисте

"Baccara" это испанский дуэт в составе Mayte Mateus (Мэйт Матеус) и Maria Mediolo (Мария Мендиола). Мэйт родилась 7 февраля 1951 года, а Мария – 4 апреля 1952.
Творчество дуэта начинается в 1977 году.
Мэйт дипломированный преподаватель Испанской Королевской академии искусств была направлена для работы с Балетом испанского телевидения. В процессе работы она знакомится с Марией. Девушки так подружились, что решили сделать что-нибудь вдвоем.
Они решили попробовать себя для начала в каком-нибудь клубе. Там они пели и танцевали, но через неделю их попросили уйти из клуба. Владелец клуба сказал девушкам, что они «слишкои изысканы» для его заведения.
Не унывающие Мэйт и Мария уехали на испанский остров Fuerteventura, где сразу же им дали попробовать себя на сцене гостиницы "Tres Islas". После первого выступления, зажигательные номера девушек очень понравились постояльцам. В гостинице было очень много туристов, особенно из Германии и поэтому девушки помимо традиционных испанских песен танцевали фламенко, а так же исполняли хиты "ABBA", Donna Summer и "Boney-M".
17 января 1977 года среди туристов, перед которыми выступали Мэйт и Мария, оказался служащий компании BMG Leon Deane. Леон был так очарован девушками, что не задумываясь пригласил их в Гамбург. Месяц спустя Мэйт и Мария приезжают в Гамбург и начинают репетиции с продюсером и композитором Рольфом Соджей.
Боссы BMG ( в то время RCA ), были настолько очарованы их голосами, что через 6 дней был выпущен сингл "Yes Sir I Can Boogie".
Так появился дуэт “Baccara”.
Песня "Yes Sir I Can Boogie" очень быстро завоевывает популярность и покоряет вершины хит-парадов многих европейских стран. В германии песня удерживает первое место в течении 8 недель, в Швейцарии - 7, а в Швеции – аж 20 недель!
Это был исторический момент. Сингл "Yes Sir I Can Boogie" стал первым синглом «женского дуэта» который занял и прочно удерживал за собой первое место в хит-парадах, а так же стал первым синглом представителей Испании за 4 года до Хулио Иглесиаса!
Было продано более 16 000 000 пластинок с синглом "Yes Sir I Can Boogie"!
Дуэт "Baccara" попадает в книгу рекордов Гиннеса, как женская группа продавшая наибольшее количество синглов!
Все теле и радио каналы транслируют их песни, все хотят взять у них интервью.
Следующий сингл "Sorry I'm A Lady", в ноябре 1977 также попадает на вершины хит-парадов, а в Германии держит первое место в течении 7 недель.
Выходит первый альбом – “Baccara”. Оба сингла в его составе. Альбом получает золото, двойное золото, платину, двойную платину.
“Baccara” принимают участие в 8-ом Всемирном фестивале популярной музыки японской корпорации Yamaha (Токио, 11 ноября 1977), где представляют ФРГ с песней "Mad in Madrid".
22 апреля 1978 года “Baccara” представляют Люксембург на конкурсе Евровидения в Париже, где занимают 7 место с песней "Parlez-vous Francais?".
В январе 1979 года "The Devil Sent You To Lorado" входит в лучшую десятку Германии. Девушки регулярно мелькают на ТВ, особенно в Германии, Испании, Великобритании, принимают участие в самых популярных муз.шоу - Sacha Distel Show (Англия) и Musikladen (ФРГ).
Дуэт выпускает сингл "Eins plus eins ist eins" для UNICEF в 1979 году.
В 1981 году дела дуэта пошли на спад. Их новый сингл "Sleepy Time Toy" был отозван из продажи – Марию не устроил полученный результат, и она подала в суд на студию грамзаписи т.к. не хотела чтобы эта пластинка поступила в магазины и разочаровала поклонников группы.
Никакого суда не было, дуэт просто вынужден был перейти в другую студию, где и записали один сингл “Colorado” и свой последний, четвертый альбом “Bad Boys”.
Последний альбом “Baccara” делали Bruce Baxter и Graham Sacher. Результат популярности альбома был ниже всяких ожиданий…
Мэйт и Мария решили идти разными путями…
Первый и настоящий дуэт “BACCARA” прекратил свое существование в 1981 году…


Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Baccara were a very popular Spanish dance-pop duo in the late seventies. The group consisted of Mayte Mateus (7 March 1951), and María Mendiola (4 May 1952). Their music was a blend of pop and disco, with lyrics in English sung with the peculiar Spanish accent of the two singers.

Baccara's most famous hits were "Sorry I'm a lady" and "Yes sir, I can boogie", both of which topped the charts during 1977 in some European countries, including the United Kingdom. In 1978, their song "Parlez-Vous Français?" got the seventh place at the Eurovision Song Contest. Curiously, the duo were representing Luxembourg. After releasing four albums, Baccara ceased to exist in 1982. Up from this moment, María and Mayte have followed their musical careers separately, either solo or with new reformations of the duo like Baccara 2000 or New Baccara.

Mayte Mateos graduated as a teacher from the Royal Spanish Academy for Arts, Drama and Dance in Madrid and then joined Spanish Television's Ballet Company. While there she met fellow performer María Mendiola. In 1976 the two women formed a singing and dancing duo (using the title Venus) and left the Ballet Company. Initially the duo's act was simply that of variety show dancers. Their first television appearance was on the Palmarés light entertainment programme[1] and they were engaged at a nightclub in the Aragon city of Zaragoza, but their contract was cancelled when the club manager decided that they were "too elegant" for the style of show.[2] Mateos and Mendiola relocated to the Canary Islands in search of work. Here they found that there was an audience for the performance of traditional Spanish music and dance in a form that was adapted to suit international tastes.

The duo were spotted by Leon Deane, manager of the German subsidiary of record company RCA, whilst performing flamenco dance and traditional Spanish songs for tourists (mostly German) in the Tres Islas Hotel on the island of Fuerteventura. He invited them to Hamburg in order for them to meet the 30 year old Dutch producer/composer Rolf Soja.[3] Soja was the prime mover behind what became Baccara.
He developed their stage performance and recruited their instrumental support. Mateos and Mendiola were retitled Baccara, after the name of the black rose, in reference to the women's dark Spanish appearance.

Together with fellow writer Frank Dostal, Soja penned their début single “Yes Sir, I Can Boogie” and most of their other 1970's hits. Recorded in Holland and released in 1977, “Yes Sir, …” proved to be a huge success, reaching the top of the charts in Germany, the Netherlands, the UK, Sweden, Belgium, Israel, and Switzerland, and number three in France.[4] Later that year a self-titled album, written and produced by Soja and Dostal, was released. Soja is generally credited with the Baccara formula - consisting of breathy lyrics, lush backing, a disco beat and the striking image of two women (one dressed in black and the other in white) dancing. While drawing lightly on Spanish flamenco song and dance tradition, the formula was very much rooted in 1970's disco music. Soja's song arrangements generally used Mateos as the lead singer while Mendiola contributed with backing and refrains.

“Yes Sir, I Can Boogie” was an enormous pan-European hit and was a prime example of the phenomenon that is known as the "summer hit".[5] The song was heard everywhere over the summer of 1977 and it is still evocative of that moment in time. It is also one of the best known examples of the Eurodisco genre : “[…] this mind-bending Common Market melding of foreign accents, bad diction, bizarre arrangements and lightweight production, usually top-heavy with strings” - The Independent, 10th April 1999.

Baccara sold more than 16 million copies of “Yes Sir, I Can Boogie” and featured in the 1977 edition of the Guinness Book of Records as the highest-selling female musical group to date. They were the first female duo to reach number one in the UK, and had the only number one by a Spanish artist in the UK until Julio Iglesias, four years later. A follow-up single, “Sorry, I'm A Lady”, was also an international hit, peaking at the top of the charts in Germany, the Netherlands and Belgium and reaching the top ten in the UK, Sweden and Switzerland.[4] Most of Baccara's recordings were sung in English although they did also record in Spanish, German and French. They recorded different language versions of some songs (see Discography below).

Touring in Europe during the late 1970's helped the band establish a firm fan base in Germany (where their records continued to be produced) and the Scandinavian countries, and their Spanish-flavoured interpretation of the disco sound also brought them recognition in Japan and Russia. Baccara represented West Germany at the eighth World Popular Song Festival held in November 1977 – until it ended in 1989 the largest such contest in the world. Their song, “Mad In Madrid”, came 14th out of 37 participating countries.

In 1978 the second Baccara album, “Light My Fire”, was released across Europe, and whilst not matching the international success of the first, it spawned the single “Parlez-vous français?” which was selected as Luxembourg's entry in that year's Eurovision Song Contest.[6] Despite full marks from Italy, Portugal and Spain the duo finished in 7th place. However high sales, particularly in Denmark, Sweden and Belgium, meant that the single was a commercial success.

“Think what you like about Baccara, seen today their 1978 Eurovision performance has a certain style while their competition from that event looks dated and amateurish″ - New Musical Express, May 2002
Further recognition came in 1978 when Baccara was granted Germany's most prestigious media award, Burda Publishing Group's Bambi prize. This is offered annually to “celebrities whose abilities have impressed, moved and enthused the people in Germany”.[7] The duo made regular television appearances, becoming weekly guests on Sacha Distel's show in the UK, and on Musikladen in Germany. 1978 was the high point of Baccara's artistic and commercial success.

Late that year the duo released the single “The Devil Sent You to Lorado”[8] with “Somewhere in Paradise”[9] as its B side. Both of these Baccara recordings have become iconic. “Somewhere in Paradise” (with its allusions to life after death) is regularly played by Christian radio stations while “The Devil…” (with its background pistol shots) is sometimes identified with the gay community. A Spanish language version of the “The Devil…” (“El diablo te mandó a Laredo”) was released at the same time as the English one.

1979 saw the album “Colours” and the separately-recorded single “Eins plus eins ist eins”, released to mark the United Nations' International Year of the Child and celebrate the 20th anniversary of the UN adoption of the Declaration of the Rights of the Child.

Baccara's fourth and final album (in the band's original incarnation) was “Bad Boys”, released in 1981. By this time the disco sound had been overshadowed by newer music movements (such as punk, new wave and synthpop) in much of Europe and interest was largely confined to those countries where the duo had an established fan base, notably Germany. The album was not released in the UK or US.

Baccara have been (possibly unfairly) described as “one hit wonder” in the UK, while they never achieved any recognition in the US despite some of their songs being given significant airplay. One music critic suggested that the Baccara formula lacked artistic depth but had been “mined for all it was worth” over two years until public interest moved on to other things.[10] The same critic also drew attention to an element of “anti-feminist subservience” in the lyrics of some Baccara songs.

The 1980 single release of “Sleepy-Time-Toy” led to disagreement within Baccara over the vocal mix used. Mendiola complained that her voice was not given sufficient prominence in the song's arrangement and sued RCA for breach of contract.[11] A court hearing in Munich resulted in 250,000 records being recalled from dealers. The dispute fatally damaged relationships. One consequence of this was that Soja and Dostal were not involved with Baccara's final album. The duo recorded “Bad Boys” with Bruce Baxter and Graham Sacher. Neither the album nor its spin-off single “Colorado” were successful. In 1981, after RCA declined to renew their contract, Mateos and Mendiola ended their professional partnership and both launched solo careers.

By 1983 both artists had released albums of their own – Mateos with “Spanish Dreams” and Mendiola with “Born Again” – which saw moderate success amongst Baccara's original fan base. However there remained a demand for Baccara's music, particularly on the European television circuit, and by the middle of the decade both Mateos and Mendiola had formed their own versions of Baccara with new singing partners. Despite a series of name and line-up changes, both Baccara duos continue to perform around Europe and have released new albums. Both have also made re-recordings of their hits for various minor record labels, which are regularly re-packaged and re-issued under the original Baccara name. However, the original song versions (those recorded between 1977 and 1981) remain the property of Sony-BMG, which holds the rights to the RCA back catalogue.

On the occasion of Baccara's 30th Anniversary, Sony-BMG Germany released a very complete 3 CD box set on August 31 2007. This collection includes 50 RCA original recordings. Several songs such as “Mad In Madrid”, “Amoureux”, “Baila tú”, “En el año 2000”, “Eins plus eins ist eins” and “Candido” made their debut on CD. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.